1
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ON THIS SEASON

2
00:00:03,333 --> 00:00:04,667
OF LOVE and HIP-HOP,

3
00:00:04,667 --> 00:00:06,000
WE TOOK YOU TO THE HEART

4
00:00:06,000 --> 00:00:08,433
OF THE SOUTH, ATLANTA,

5
00:00:08,433 --> 00:00:10,167
WITH A WHOLE NEW CAST.

6
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THE HUSTLE AND GRIND IS MEANEST

7
00:00:12,267 --> 00:00:13,833
HERE IN THE "A".

8
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WHEN BUSINESS IS INVOLVED,

9
00:00:15,067 --> 00:00:16,667
NO ONE CARE IF YOU HURT.

10
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YOU GONNA LET THEM

11
00:00:17,333 --> 00:00:18,200
MOTHER[bleep] TAKE MY [bleep]

12
00:00:18,200 --> 00:00:19,333
WHERE I BEEN WORKING FOR?

13
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I DON'T LIKE THAT.

14
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I WOULD LIKE TO BE PARTNERS

15
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WITH YOU.

16
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BUT I'M NOT GIVING UP 20%.

17
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THAT'S BULL[bleep].

18
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I'M ABOUT TO GET FIRED

19
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IS WHAT YOU TELLING ME.

20
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I DON'T WANT TO SAY THAT.

21
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[sobs]

22
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EVERYONE IS LOCKED

23
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IN A BATTLE TO WIN.

24
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DON'T MAKE UP

25
00:00:31,333 --> 00:00:32,333
NO [bleep] ON ME!

26
00:00:32,333 --> 00:00:33,667
EVERY TIME I SEE YOU!

27
00:00:33,667 --> 00:00:35,000
BITCH, SHUT YOUR ASS UP,

28
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YOU STUPID BITCH!

29
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AND THE TRUTH

30
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SETS NOBODY FREE.

31
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YOU GUYS LIVING TOGETHER?

32
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YES, I'M IN THE HOUSE.

33
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BITCH!

34
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I GOT HER.

35
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MAN, LET GO OF ME.

36
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LOVE WAS THE ULTIMATE PRIZE.

37
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I LOVE YOU.

38
00:00:46,500 --> 00:00:47,500
I LOVE YOU TOO.

39
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I WANT TO BE IN LOVE.

40
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YOU ARE THE PIECES

41
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TO MY PUZZLE.

42
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SO YOU TELL ME

43
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WHERE YOU WANT TO START.

44
00:00:53,167 --> 00:00:54,100
BUT SOME FOUND

45
00:00:54,100 --> 00:00:55,667
A LITTLE TOO MUCH...

46
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SHE DON'T KNOW ABOUT--

47
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YEAH, NOTHING.

48
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NOTHING?

49
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[both laughing]

50
00:00:59,300 --> 00:01:00,100
WHO'S BABY IS IT?

51
00:01:00,100 --> 00:01:01,100
I HAVEN'T [bleep] NOBODY FOR

52
00:01:01,100 --> 00:01:02,667
THE LAST SIX MONTHS BUT YOU.

53
00:01:02,667 --> 00:01:03,533
I DIDN'T [bleep] NOBODY AND

54
00:01:03,533 --> 00:01:04,833
GET 'EM PREGNANT; YOU DID.

55
00:01:04,833 --> 00:01:05,600
WHILE OTHERS

56
00:01:05,600 --> 00:01:07,500
JUST CAME UP EMPTY.

57
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THAT MAN BEAT MY ASS,

58
00:01:09,500 --> 00:01:11,333
AND I HAD TO DEAL WITH THAT!

59
00:01:11,333 --> 00:01:12,467
THE FIRST THING YOU SAY IS,

60
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"I'M GONNA SEND YOU BACK TO THE

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[bleep] STRIP CLUB."

62
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I'M NOT GOING BACK.

63
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YOU HURT ME

64
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TO THE CORE.

65
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BUT WHAT DOESN'T KILL YOU

66
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ONLY MAKES YOU STRONGER.

67
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NO MORE TEARS.

68
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I'M GONNA MAKE IT WITH YOU

69
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OR WITHOUT YOU.

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GO DO WHAT YOU WANT TO DO.

71
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I'M GONNA BE HAPPY,

72
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AND THAT'S WITHOUT YOU.

73
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I DON'T WANT TO BE IN A

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RELATIONSHIP WITH YOU ANYMORE.

75
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I'M DONE.

76
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'CAUSE IT AIN'T ALL FAIR

77
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IN LOVE AND HIP-HOP.

78
00:01:37,667 --> 00:01:39,567
AND TONIGHT, ON LOVE and HIP-HOP:

79
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ATLANTA: THE REUNION...

80
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I'M THE BADDEST BITCH.

81
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BITCH, YOU LOOK LIKE

82
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MICHAEL JACKSON IN THRILLER.

83
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YOU LOOK LIKE

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THE BOTTOM OF MY SHOE.

85
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JUMP, BITCH!

86
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JUMP!

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SHUT UP, UGLY.

88
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DON'T [bleep] GO THERE,

89
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STEVIE.

90
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THINKING I'M USING THIS MAN

91
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FOR HIS [bleep] MONEY.

92
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NEVER BEEN THE CASE.

93
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AFTER I SLAMMED HIM

94
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IN THE BUSHES--

95
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EVERYBODY FELL IN THE BUSHES

96
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WITH THE SECURITY.

97
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IF I WAS GONNA GET MY BOOTY

98
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DONE, I WAS GONNA GET

99
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A BADONKADONK.

100
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WERE YOU EVER A MAN?

101
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I HAVE TO MAINTAIN SOME TYPE

102
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OF CONTROL.

103
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YOU BIPOLAR, SCHIZOPHRENIC,

104
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INSECURE BITCH.

105
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YOU'RE [bleep] IS WHAT I WANT

106
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AND YOUR MONEY, SO GET TO WORK.

107
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YEAH, THAT'S RIGHT, YOU KNOW

108
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WHAT IT IS, FUNK FLEX.

109
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THIS IS THE MOST OFF THE CHAIN

110
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REALITY SHOW ON TELEVISION.

111
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LOVE and HIP-HOP: ATLANTA:

112
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THE REUNION IS GOING DOWN

113
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RIGHT NOW.

114
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GIVE IT UP FOR YOUR HOST

115
00:02:27,467 --> 00:02:29,067
AND THE EXECUTIVE PRODUCER

116
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OF LOVE and HIP-HOP,

117
00:02:30,167 --> 00:02:33,667
MONA SCOTT-YOUNG.

118
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[cheers and applause]

119
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THE PREMIERE SEASON

120
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OF LOVE and HIP-HOP: ATLANTA

121
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WAS A HUGE SUCCESS.

122
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MILLIONS TUNED IN.

123
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BUT NOT EVERYONE BELIEVED THAT

124
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THE DRAMA WAS REAL.

125
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TRUST ME,

126
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NONE OF IT WAS SCRIPTED.

127
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BUT YOU DON'T HAVE TO TAKE MY

128
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WORD FOR IT.

129
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TONIGHT, WE'VE BROUGHT THE CAST

130
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TOGETHER,

131
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SOME OF THEM FOR THE FIRST TIME

132
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SINCE THE SEASON BEGAN, TO

133
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ADDRESS ALL OF THE THINGS THAT

134
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YOU, THE VIEWERS, WANT TO KNOW.

135
00:02:57,800 --> 00:03:00,967
BUT FIRST, PLEASE WELCOME ERICA,

136
00:03:00,967 --> 00:03:03,900
MIMI, K.MICHELLE, JOSELINE,

137
00:03:03,900 --> 00:03:05,867
KARLIE, AND RASHEEDA.

138
00:03:05,867 --> 00:03:10,700
[cheers and applause]

139
00:03:10,700 --> 00:03:12,200
AND DOWN HERE IN THE FRONT,

140
00:03:12,200 --> 00:03:14,500
WE'VE GOT ARIANE, MOMMA DEE,

141
00:03:14,500 --> 00:03:16,667
SCRAPPY, BENZINO, KIRK,

142
00:03:16,667 --> 00:03:18,867
AND THE NOTORIOUS STEVIE J.

143
00:03:18,867 --> 00:03:22,567
[cheers and applause]

144
00:03:22,567 --> 00:03:24,700
AND JOSELINE, WHAT IS GOING ON

145
00:03:24,700 --> 00:03:25,367
WITH THOSE GLASSES?

146
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WHAT ARE THOSE?

147
00:03:26,367 --> 00:03:27,367
WELL, YOU KNOW, I HAD TO

148
00:03:27,367 --> 00:03:28,600
PUT ON MY SHADES FOR ALL YOU

149
00:03:28,600 --> 00:03:30,067
HATIN' ASS BITCHES.

150
00:03:30,067 --> 00:03:31,167
AND FOR ALL MY FELLAS,

151
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YOU CAN HAVE ALL THIS.

152
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OKAY.

153
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YES, THAT'S RIGHT, BABY,

154
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'CAUSE I'M THE BADDEST BITCH.

155
00:03:39,767 --> 00:03:40,767
AND NOW THAT WE KNOW THAT,

156
00:03:40,767 --> 00:03:41,567
LET'S MOVE ON

157
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TO THE OTHER LADIES.

158
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THIS SEASON, YOU GUYS OPENED UP

159
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FOR THE CAMERAS.

160
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YOU GAVE THE WORLD

161
00:03:46,900 --> 00:03:48,200
A VERY INTIMATE GLIMPSE

162
00:03:48,200 --> 00:03:49,667
INTO YOUR LIVES.

163
00:03:49,667 --> 00:03:50,667
AND I WANT TO PERSONALLY THANK

164
00:03:50,667 --> 00:03:51,800
ALL OF YOU GUYS FOR THAT.

165
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BECAUSE WITHOUT IT,

166
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WE WOULDN'T HAVE THIS SHOW.

167
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SO THANK YOU SO MUCH.

168
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THANK YOU FOR HAVING US.

169
00:03:56,367 --> 00:03:57,467
[cheers and applause]

170
00:03:57,467 --> 00:03:58,300
BUT AS A RESULT,

171
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THERE WAS A LOT OF BACKLASH.

172
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SOME CRITICS FELT THE SHOW

173
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WAS A NEGATIVE PORTRAYAL

174
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OF AFRICAN-AMERICAN WOMEN

175
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AND THEIR RELATIONSHIPS.

176
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MIMI, LET'S START WITH YOU.

177
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YOU'VE GOTTEN A LOT OF FLACK

178
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ABOUT THAT.

179
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WHAT DO YOU HAVE TO SAY?

180
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BASICALLY, WHAT WAS GOING ON,

181
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WHAT WAS GOING ON

182
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IN OUR LIFE.

183
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IT HAD NOTHING TO DO WITH YOU

184
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OR VH1, A SCRIPT.

185
00:04:17,867 --> 00:04:19,167
THAT WAS JUST WHAT WAS

186
00:04:19,167 --> 00:04:20,533
HAPPENING, SO FOR THEM TO SAY

187
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THAT YOU GUYS WERE PORTRAYING

188
00:04:22,067 --> 00:04:23,900
AFRICAN-AMERICAN WOMEN IN A

189
00:04:23,900 --> 00:04:26,867
NEGATIVE LIGHT--NOT SO MUCH.

190
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I DON'T KNOW ONE WOMAN THAT

191
00:04:28,067 --> 00:04:29,067
HASN'T BEEN CHEATED ON.

192
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ABSOLUTELY.

193
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I DON'T.

194
00:04:30,333 --> 00:04:31,167
SO--

195
00:04:31,167 --> 00:04:32,067
IT'S JUST THAT MY STORY

196
00:04:32,067 --> 00:04:32,933
IS BEING TELEVISED.

197
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RIGHT.

198
00:04:33,600 --> 00:04:35,067
THIS SHOW WAS NEVER SUPPOSED TO

199
00:04:35,067 --> 00:04:36,067
BE A REPRESENTATION

200
00:04:36,067 --> 00:04:38,067
OF ALL AFRICAN-AMERICAN WOMEN

201
00:04:38,067 --> 00:04:38,900
EVERYWHERE.

202
00:04:38,900 --> 00:04:41,100
THIS SHOW WAS ABOUT YOUR LIVES,

203
00:04:41,100 --> 00:04:42,133
YOUR EXPERIENCES,

204
00:04:42,133 --> 00:04:43,200
YOUR STRUGGLES.

205
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AND THEY'RE YOUR STORIES

206
00:04:44,300 --> 00:04:44,967
TO TELL,

207
00:04:44,967 --> 00:04:45,967
AND YOU GUYS HAVE EVERY RIGHT

208
00:04:45,967 --> 00:04:46,633
TO TELL THEM.

209
00:04:46,633 --> 00:04:47,833
BUT EVEN WITH ALL OF THAT

210
00:04:47,833 --> 00:04:49,500
NEGATIVE BACKLASH, WE STILL HAD

211
00:04:49,500 --> 00:04:50,933
A TREMENDOUS OUTPOURING OF

212
00:04:50,933 --> 00:04:52,600
SUPPORT FROM OUR VIEWERS.

213
00:04:52,600 --> 00:04:53,567
SO LET'S JUMP RIGHT IN

214
00:04:53,567 --> 00:04:54,533
AND START.

215
00:04:54,533 --> 00:04:56,567
AMANDA L. FROM FACEBOOK

216
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WANTS TO KNOW, KARLIE,

217
00:04:58,767 --> 00:05:00,367
HOW OLD ARE YOU REALLY?

218
00:05:00,367 --> 00:05:02,533
[laughter]

219
00:05:02,533 --> 00:05:03,567
EVERYONE WANTS TO KNOW

220
00:05:03,567 --> 00:05:04,300
HOW OLD KARLIE IS.

221
00:05:04,300 --> 00:05:04,967
LOOK.

222
00:05:04,967 --> 00:05:06,200
I AM BEAUTIFUL.

223
00:05:06,200 --> 00:05:06,867
I'M YOUNG.

224
00:05:06,867 --> 00:05:08,067
I'M TALENTED.

225
00:05:08,067 --> 00:05:09,067
I NEVER TELL MY AGE.

226
00:05:09,067 --> 00:05:10,500
OKAY, SO ANYBODY WANT TO TAKE

227
00:05:10,500 --> 00:05:12,467
A GUESS ON HOW OLD KARLIE IS?

228
00:05:12,467 --> 00:05:14,233
[indistinct chattering]

229
00:05:14,233 --> 00:05:15,333
SHE IN HER 40s.

230
00:05:15,333 --> 00:05:17,200
I LOOK 50, I LOOK 40.

231
00:05:17,200 --> 00:05:17,933
I LOOK 30.

232
00:05:17,933 --> 00:05:19,067
YOU DID THE WIKIPEDIA PAGE A

233
00:05:19,067 --> 00:05:21,067
COUPLE DAYS AGO.

234
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IT SAYS 1985.

235
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K.MICHELLE,

236
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YOU'RE THE SAME AGE AS ME,

237
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SO STOP IT.

238
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OOH.

239
00:05:24,767 --> 00:05:27,900
[all "Oohing"]

240
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WE ALL KNOW KARLIE REDD.

241
00:05:29,633 --> 00:05:31,067
SHE GETS TO SHOUTING OUT STUFF

242
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BECAUSE SHE DON'T WANT HER TRUTH

243
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TO BE TOLD.

244
00:05:33,300 --> 00:05:34,567
THE TRUTH OF IT IS LIKE THIS:

245
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SHE MARCHED WITH MARTIN LUTHER

246
00:05:36,133 --> 00:05:36,800
KING--

247
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[laughter]

248
00:05:39,133 --> 00:05:40,400
BUT YOU KNOW, MAYBE YOU DON'T

249
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LIE ABOUT AGE.

250
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IF YOU WERE BORN IN 1985, BITCH,

251
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YOU IS 14

252
00:05:44,133 --> 00:05:45,500
IN L.A. WITH HER.

253
00:05:45,500 --> 00:05:46,167
BUT YOU LOOK LIKE IT.

254
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IT DON'T MATTER, BITCH,

255
00:05:46,900 --> 00:05:47,733
YOU LOOK LIKE MICHAEL JACKSON

256
00:05:47,733 --> 00:05:48,400
IN THRILLER.

257
00:05:48,400 --> 00:05:51,400
[cheers and applause]

258
00:05:53,600 --> 00:05:54,700
GET THE JACK DANIELS FOR THIS

259
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HO, 'CAUSE SHE NEEDS IT.

260
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OLDER THAN ME.

261
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BUT YOUR CHILD IS OLDER THAN ME.

262
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WE'LL GET TO ALL OF THAT.

263
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BITCH, YOUR NECK IS WRINKLED.

264
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OH, COME ON NOW.

265
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THAT'S YOUR NECK.

266
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BITCH, YOU OLD.

267
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IT DON'T MATTER.

268
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BITCH, YOU GOT A RIP

269
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IN YOUR [bleep].

270
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YOU GOT NO WALLS.

271
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[all "Oohing"]

272
00:06:11,800 --> 00:06:13,567
YOU GOT NO WALLS.

273
00:06:13,567 --> 00:06:16,300
BITCH, MY [bleep] CLEAN.

274
00:06:16,300 --> 00:06:17,067
NO!

275
00:06:17,067 --> 00:06:18,833
UH-UH.

276
00:06:18,833 --> 00:06:20,167
SHE'S AN OLD-ASS

277
00:06:20,167 --> 00:06:21,700
HARRIET TUBMAN BITCH.

278
00:06:21,700 --> 00:06:22,733
ALL RIGHT, NOW.

279
00:06:22,733 --> 00:06:23,800
IT'S GETTING A LITTLE TOO HEATED

280
00:06:23,800 --> 00:06:24,467
IN HERE.

281
00:06:24,467 --> 00:06:25,167
LET'S MOVE ON

282
00:06:25,167 --> 00:06:26,200
TO THE NEXT QUESTION.

283
00:06:26,200 --> 00:06:28,567
OKAY, MISSY G. FROM FACEBOOK

284
00:06:28,567 --> 00:06:30,867
ASKS, "WHAT PLASTIC SURGERY, IF

285
00:06:30,867 --> 00:06:33,467
ANY, HAVE EACH OF YOU HAD DONE?"

286
00:06:33,467 --> 00:06:34,867
LET'S GO DOWN THE LINE STARTING

287
00:06:34,867 --> 00:06:35,967
RIGHT HERE WITH YOU, ERICA.

288
00:06:35,967 --> 00:06:37,133
OH, I'M ALL WOMAN,

289
00:06:37,133 --> 00:06:38,400
ALL NATURAL.

290
00:06:38,400 --> 00:06:42,400
[cheers and applause]

291
00:06:42,400 --> 00:06:43,300
WHAT YOU HAD DONE, MIMI?

292
00:06:43,300 --> 00:06:45,267
NOTHING.

293
00:06:45,267 --> 00:06:45,933
OKAY.

294
00:06:45,933 --> 00:06:46,633
[cheers and applause]

295
00:06:46,633 --> 00:06:47,400
SO K.MICHELLE,

296
00:06:47,400 --> 00:06:48,367
WE KNOW YOU'VE BEEN HONEST.

297
00:06:48,367 --> 00:06:49,300
YOU'VE HAD THE TEETH DONE.

298
00:06:49,300 --> 00:06:50,800
YOU'VE HAD THE BREASTS DONE.

299
00:06:50,800 --> 00:06:51,967
WHAT ABOUT THE BADONKADONK?

300
00:06:51,967 --> 00:06:52,633
IS THAT ALL YOU?

301
00:06:52,633 --> 00:06:53,300
THAT'S MY BOOTY.

302
00:06:53,300 --> 00:06:54,233
I GOT THAT FROM MY MAMA

303
00:06:54,233 --> 00:06:57,100
AND JIFFY CORNBREAD.

304
00:06:57,100 --> 00:06:58,100
RASHEEDA?

305
00:06:58,100 --> 00:06:58,733
OH.

306
00:06:58,733 --> 00:06:59,467
ANYTHING DONE?

307
00:06:59,467 --> 00:07:00,200
NO, MA'AM.

308
00:07:00,200 --> 00:07:01,433
NOTHING OVER HERE, BABY.

309
00:07:01,433 --> 00:07:02,367
OKAY, HONEY.

310
00:07:02,367 --> 00:07:04,533
YOU LADIES ARE ALL GORGEOUS.

311
00:07:04,533 --> 00:07:05,633
KARLIE?

312
00:07:05,633 --> 00:07:07,067
I GOT MY BREASTS DONE.

313
00:07:07,067 --> 00:07:07,900
THE BREASTS?

314
00:07:07,900 --> 00:07:08,567
THAT'S IT?

315
00:07:08,567 --> 00:07:09,233
THAT'S IT.

316
00:07:09,233 --> 00:07:10,733
NOTHING IN THE BOOTY AREA?

317
00:07:10,733 --> 00:07:11,900
MY BOOTY IS NOT THAT BIG

318
00:07:11,900 --> 00:07:13,333
FOR IT TO BE DONE.

319
00:07:13,333 --> 00:07:14,267
IF I WAS GONNA GET MY BOOTY

320
00:07:14,267 --> 00:07:15,067
DONE, I WAS GONNA GET

321
00:07:15,067 --> 00:07:16,067
A BADONKADONK.

322
00:07:16,067 --> 00:07:16,833
OKAY.

323
00:07:16,833 --> 00:07:17,867
YEAH, LET'S SEE THAT ASS.

324
00:07:17,867 --> 00:07:19,167
PLEASE, THE BOOTY

325
00:07:19,167 --> 00:07:19,833
IS NOT THAT BIG.

326
00:07:19,833 --> 00:07:20,567
THAT LOOKS LIKE A REAL--

327
00:07:20,567 --> 00:07:21,233
OKAY.

328
00:07:21,233 --> 00:07:21,900
YEAH.

329
00:07:21,900 --> 00:07:22,733
MAYBE IT IS A REAL BOOTY.

330
00:07:22,733 --> 00:07:23,467
YEAH.

331
00:07:23,467 --> 00:07:24,267
I'LL TAKE YOUR WORD FOR IT.

332
00:07:24,267 --> 00:07:25,367
THIS BOOTY IS NOT THAT BIG.

333
00:07:25,367 --> 00:07:26,400
IF I WAS GONNA GET A BOOTY,

334
00:07:26,400 --> 00:07:27,900
I'M GONNA GET UH!

335
00:07:27,900 --> 00:07:29,367
JOSELINE, WHAT WE HAD DONE,

336
00:07:29,367 --> 00:07:30,167
MAMA?

337
00:07:30,167 --> 00:07:31,667
I GOT MY BOOBS DONE, I GOT MY

338
00:07:31,667 --> 00:07:34,800
TEETH DONE, AND THAT'S IT.

339
00:07:34,800 --> 00:07:36,400
NAILS, HAIR, ARE FAKE,

340
00:07:36,400 --> 00:07:37,100
BUT, YOU KNOW.

341
00:07:37,100 --> 00:07:37,733
[laughter]

342
00:07:37,733 --> 00:07:38,967
NO, MY ASS IS REAL.

343
00:07:38,967 --> 00:07:40,133
DON'T BE A HATER.

344
00:07:40,133 --> 00:07:42,800
HATER.

345
00:07:42,800 --> 00:07:43,600
DON'T BE MAD AT ME

346
00:07:43,600 --> 00:07:45,167
'CAUSE I'M FINE.

347
00:07:45,167 --> 00:07:46,600
ALL RIGHT, WELL, LET'S TALK

348
00:07:46,600 --> 00:07:48,133
ABOUT THIS, JOSELINE.

349
00:07:48,133 --> 00:07:48,967
ONE OF THE BIGGEST

350
00:07:48,967 --> 00:07:50,433
AND MOST OUTRAGEOUS RUMORS

351
00:07:50,433 --> 00:07:52,633
COMING OUT OF THE SHOW WAS THAT

352
00:07:52,633 --> 00:07:54,100
YOU WERE NOT ALL WOMAN.

353
00:07:54,100 --> 00:07:55,500
I CANNOT BELIEVE THEY WOULD

354
00:07:55,500 --> 00:07:56,633
EVEN SAY SOMETHING LIKE THAT.

355
00:07:56,633 --> 00:07:58,100
WELL, LET'S CLEAR IT UP NOW,

356
00:07:58,100 --> 00:07:58,800
ONCE AND FOR ALL.

357
00:07:58,800 --> 00:07:59,667
LET'S STRAIGHTEN IT OUT

358
00:07:59,667 --> 00:08:00,500
FOR THE RECORD.

359
00:08:00,500 --> 00:08:02,867
ARE YOU OR WERE YOU EVER A MAN?

360
00:08:02,867 --> 00:08:03,533
YES.

361
00:08:03,533 --> 00:08:04,267
OKAY, MONA,

362
00:08:04,267 --> 00:08:05,533
I'LL TELL YOU THIS.

363
00:08:05,533 --> 00:08:07,633
YOU SEE ME TAKE A PREGNANCY

364
00:08:07,633 --> 00:08:09,967
TEST, YOU SEE MY PRIVATE AREA.

365
00:08:09,967 --> 00:08:11,167
YOU KNOW I WAS PREGNANT

366
00:08:11,167 --> 00:08:11,867
FOR A FACT.

367
00:08:11,867 --> 00:08:13,367
YOU READ THE PREGNANCY TEST.

368
00:08:13,367 --> 00:08:15,067
I DID IT IN FRONT OF YOU.

369
00:08:15,067 --> 00:08:16,200
YOU'RE ABSOLUTELY RIGHT.

370
00:08:16,200 --> 00:08:17,300
I DID IT IN FRONT OF YOU

371
00:08:17,300 --> 00:08:17,967
BEFORE I DID IT

372
00:08:17,967 --> 00:08:18,767
IN FRONT OF ANYBODY.

373
00:08:18,767 --> 00:08:19,433
EXACTLY.

374
00:08:19,433 --> 00:08:20,267
SO WHAT HAPPENED WAS THAT

375
00:08:20,267 --> 00:08:22,167
JOSELINE WAS VERY NERVOUS ABOUT

376
00:08:22,167 --> 00:08:23,067
TAKING THE TEST.

377
00:08:23,067 --> 00:08:24,200
SHE DIDN'T WANT TO KNOW.

378
00:08:24,200 --> 00:08:25,567
AND I WANTED TO MAKE SURE THAT

379
00:08:25,567 --> 00:08:27,200
THIS INFORMATION WAS ACCURATE

380
00:08:27,200 --> 00:08:27,867
AND TRUE.

381
00:08:27,867 --> 00:08:29,867
YOU WERE FULLY NAKED, AND I CAN

382
00:08:29,867 --> 00:08:32,067
ATTEST TO THE FACT THAT YOU DID

383
00:08:32,067 --> 00:08:33,100
PEE ON THAT STICK.

384
00:08:33,100 --> 00:08:34,633
AND SHE IS A WOMAN, YES.

385
00:08:34,633 --> 00:08:35,467
I UNDERSTAND.

386
00:08:35,467 --> 00:08:36,133
I'M PERFECT.

387
00:08:36,133 --> 00:08:37,333
I HAVE A PERFECT FACE.

388
00:08:37,333 --> 00:08:38,567
I HAVE A PERFECT BODY.

389
00:08:38,567 --> 00:08:40,933
AND ANYBODY THAT--

390
00:08:40,933 --> 00:08:41,867
SHUT UP, UGLY.

391
00:08:41,867 --> 00:08:43,233
I'M ALL WOMAN.

392
00:08:43,233 --> 00:08:44,733
YES, I GOT MY BREASTS DONE, YES,

393
00:08:44,733 --> 00:08:46,400
I GOT MY TEETH DONE.

394
00:08:46,400 --> 00:08:47,500
SO [bleep] WHAT?

395
00:08:47,500 --> 00:08:48,167
I LOVE MY BODY.

396
00:08:48,167 --> 00:08:48,867
I LOVE HOW I LOOK.

397
00:08:48,867 --> 00:08:51,100
AND EVERY BITCH I KNOW THAT EVER

398
00:08:51,100 --> 00:08:52,800
SEE ME WISH THEY LOOK LIKE ME.

399
00:08:52,800 --> 00:08:53,833
AND I'MA STAND BEHIND

400
00:08:53,833 --> 00:08:54,800
HOW I LOOK, 'CAUSE I LOVE IT.

401
00:08:54,800 --> 00:08:55,633
WHO WOULDN'T LIKE IT?

402
00:08:55,633 --> 00:08:56,467
I DON'T GIVE A [bleep].

403
00:08:56,467 --> 00:08:57,800
'CAUSE I'M A BAD BITCH.

404
00:08:57,800 --> 00:08:58,533
ALL RIGHT.

405
00:08:58,533 --> 00:09:00,333
[laughter and applause]

406
00:09:00,333 --> 00:09:02,433
LET ME JUST ASK THE OTHER LADIES

407
00:09:02,433 --> 00:09:03,600
THIS--'CAUSE YOU GUYS SPENT

408
00:09:03,600 --> 00:09:05,200
A LOT OF TIME, YOU KNOW, WHILE

409
00:09:05,200 --> 00:09:07,333
SHOOTING, AROUND JOSELINE.

410
00:09:07,333 --> 00:09:08,067
DID ANY OF YOU GUYS

411
00:09:08,067 --> 00:09:08,733
DOUBT SHE WAS A WOMAN?

412
00:09:08,733 --> 00:09:10,333
I DID.

413
00:09:10,333 --> 00:09:11,067
[applause]

414
00:09:11,067 --> 00:09:11,767
YOU KNOW WHAT?

415
00:09:11,767 --> 00:09:12,800
AS A MATTER OF FACT, YOUR MAN

416
00:09:12,800 --> 00:09:13,833
KNOW I'M ALL WOMAN, 'CAUSE

417
00:09:13,833 --> 00:09:14,733
I USED TO DANCE FOR HIM BACK

418
00:09:14,733 --> 00:09:16,233
IN THE DAY, SO HE CAN TELL YOU.

419
00:09:16,233 --> 00:09:17,200
OR DID YOU FORGET?

420
00:09:17,200 --> 00:09:18,167
YOU REMEMBER.

421
00:09:18,167 --> 00:09:19,367
[all "Oohing"]

422
00:09:19,367 --> 00:09:20,700
DAMN, SCRAP.

423
00:09:20,700 --> 00:09:21,533
THAT DOESN'T MEAN

424
00:09:21,533 --> 00:09:22,200
YOU ALL WOMAN.

425
00:09:22,200 --> 00:09:23,367
[all "Oohing"]

426
00:09:23,367 --> 00:09:24,067
JOSELINE.

427
00:09:24,067 --> 00:09:26,167
HOLD UP. HOLD UP.

428
00:09:26,167 --> 00:09:29,433
WHO IS SHENELLICA BETTENCOURT?

429
00:09:29,433 --> 00:09:30,700
WHO EXACTLY IS THAT?

430
00:09:30,700 --> 00:09:31,867
THAT'S A LITTLE--WHO IS THAT?

431
00:09:31,867 --> 00:09:32,533
THERE'S RUMORS.

432
00:09:32,533 --> 00:09:33,533
NO, I EXPLAINED THAT.

433
00:09:33,533 --> 00:09:34,967
I STARTED DANCING WHEN 16.

434
00:09:34,967 --> 00:09:35,633
I STARTED DANCING

435
00:09:35,633 --> 00:09:36,300
AT A YOUNG AGE.

436
00:09:36,300 --> 00:09:37,200
[all "Oohing"]

437
00:09:37,200 --> 00:09:38,533
YES, I WAS THICK AND YOUNG.

438
00:09:38,533 --> 00:09:39,600
I WAS 16 YEARS OLD.

439
00:09:39,600 --> 00:09:40,900
AND I USED THAT NAME.

440
00:09:40,900 --> 00:09:41,567
I WENT UNDER

441
00:09:41,567 --> 00:09:42,367
SHENELLICA BETTENCOURT.

442
00:09:42,367 --> 00:09:43,700
AND I WENT TO JAIL TWICE UNDER

443
00:09:43,700 --> 00:09:44,867
MY--WELL, I WENT TO JAIL

444
00:09:44,867 --> 00:09:45,533
A BUNCH OF TIMES,

445
00:09:45,533 --> 00:09:46,433
BUT I WENT TO JAIL--

446
00:09:46,433 --> 00:09:47,867
[laughter]

447
00:09:47,867 --> 00:09:48,867
I WENT TO JAIL TWICE UNDER

448
00:09:48,867 --> 00:09:51,700
SHENELLICA BETTENCOURT,

449
00:09:51,700 --> 00:09:52,933
WHICH WAS MY FAKE NAME

450
00:09:52,933 --> 00:09:53,867
THAT I USED.

451
00:09:53,867 --> 00:09:54,533
WHERE DID THAT NAME

452
00:09:54,533 --> 00:09:55,200
COME FROM THOUGH?

453
00:09:55,200 --> 00:09:56,067
OF ALL THE NAMES YOU COULD HAVE

454
00:09:56,067 --> 00:09:57,067
PICKED, SHENELLICA BETTENCOURT?

455
00:09:57,067 --> 00:09:57,667
LISTEN.

456
00:09:57,667 --> 00:09:58,500
THE PERSON THAT I GOT THE I.D.

457
00:09:58,500 --> 00:10:00,033
FROM, THE WHOLE NAME WAS

458
00:10:00,033 --> 00:10:01,300
SHENELLICA BETTENCOURT.

459
00:10:01,300 --> 00:10:02,033
SO WHEN I WENT TO JAIL WHEN I

460
00:10:02,033 --> 00:10:03,867
WAS 17 AND DANCING,

461
00:10:03,867 --> 00:10:04,733
I WAS LIKE, "[bleep], MY NAME'S

462
00:10:04,733 --> 00:10:05,533
SHENELLICA BETTENCOURT."

463
00:10:05,533 --> 00:10:06,400
I'M NOT SAYING MY NAME

464
00:10:06,400 --> 00:10:08,000
JOSELINE HERNANDEZ, [bleep].

465
00:10:08,000 --> 00:10:08,900
SO I'M GOING TO JAIL,

466
00:10:08,900 --> 00:10:10,000
THAT'S MY I.D.

467
00:10:10,000 --> 00:10:11,033
SHENELLICA BETTENCOURT.

468
00:10:11,033 --> 00:10:12,467
THAT'S WHERE THAT CAME FROM.

469
00:10:12,467 --> 00:10:13,867
I BEEN TO JAIL 20 TIMES.

470
00:10:13,867 --> 00:10:15,867
I USED TO STAY GOING TO JAIL.

471
00:10:15,867 --> 00:10:16,767
I WENT TO JAIL 'CAUSE I WAS

472
00:10:16,767 --> 00:10:18,100
WORKING AT A STRIP CLUB, AND

473
00:10:18,100 --> 00:10:19,367
THEY RAIDED THE CLUB IN MIAMI.

474
00:10:19,367 --> 00:10:20,533
ANY STRIPPER KNOW,

475
00:10:20,533 --> 00:10:21,367
WHEN THEY RAID THE CLUB,

476
00:10:21,367 --> 00:10:22,633
EVERYBODY GOES TO JAIL.

477
00:10:22,633 --> 00:10:23,700
I'VE BEEN TO JAIL FOR ABS--

478
00:10:23,700 --> 00:10:25,133
WHAT HAVEN'T I BEEN TO JAIL FOR?

479
00:10:25,133 --> 00:10:26,300
WELL, WHAT WAS

480
00:10:26,300 --> 00:10:27,267
THIS ARREST FOR?

481
00:10:27,267 --> 00:10:27,933
I DON'T KNOW, GIRL.

482
00:10:27,933 --> 00:10:28,700
I GOT A LOT OF MUG SHOTS.

483
00:10:28,700 --> 00:10:29,867
I GOT, LIKE, 100 MUG SHOTS.

484
00:10:29,867 --> 00:10:30,667
I DON'T EVEN KNOW

485
00:10:30,667 --> 00:10:31,467
WHAT THIS ONE WAS ABOUT.

486
00:10:31,467 --> 00:10:32,833
BUT I LOOK MAD IN THIS ONE, SO

487
00:10:32,833 --> 00:10:34,100
SOMEBODY MUST HAVE TOOK ME OUT

488
00:10:34,100 --> 00:10:34,967
OF THE STRIP CLUB WHILE I WAS

489
00:10:34,967 --> 00:10:35,700
GETTING SOME MONEY.

490
00:10:35,700 --> 00:10:37,267
I HAD TO HAVE BEEN IN THE CLUB.

491
00:10:37,267 --> 00:10:37,933
RIGHT NOW,

492
00:10:37,933 --> 00:10:39,167
WE'RE GONNA GO TO BREAK.

493
00:10:39,167 --> 00:10:39,967
AND WHEN WE COME BACK, WE'RE

494
00:10:39,967 --> 00:10:42,100
GONNA DIG EVEN DEEPER INTO THESE

495
00:10:42,100 --> 00:10:43,967
STORIES, SO KEEP IT RIGHT HERE.

496
00:10:43,967 --> 00:10:46,967
[cheers and applause]

497
00:10:46,967 --> 00:10:48,333
DO WHAT YOU DO.

498
00:10:48,333 --> 00:10:49,100
DO SOMETHING WITH YOUR

499
00:10:49,100 --> 00:10:50,967
NAPPY-ASS HAIR, YOU BIPOLAR,

500
00:10:50,967 --> 00:10:53,100
SCHIZOPHRENIC, INSECURE BITCH.

501
00:10:53,100 --> 00:10:54,433
BAGS UNDER YOUR EYES.

502
00:10:54,433 --> 00:10:56,467
YEAH, LET ME, MAMA.

503
00:11:02,167 --> 00:11:04,267
[cheers and applause]

504
00:11:04,267 --> 00:11:05,100
WE'RE BACK.

505
00:11:05,100 --> 00:11:06,300
LET'S JUMP RIGHT IN

506
00:11:06,300 --> 00:11:07,467
TO LOVE and HIP-HOP: ATLANTA:

507
00:11:07,467 --> 00:11:08,567
THE REUNION.

508
00:11:08,567 --> 00:11:09,800
WHEN YOU PUT A GROUP OF

509
00:11:09,800 --> 00:11:11,867
OUTSPOKEN, OPINIONATED WOMEN

510
00:11:11,867 --> 00:11:13,600
TOGETHER, THERE ARE BOUND TO BE

511
00:11:13,600 --> 00:11:14,600
SOME SPARKS.

512
00:11:14,600 --> 00:11:16,300
BUT ONE OF OUR LADIES SEEMED TO

513
00:11:16,300 --> 00:11:17,667
SET OFF EXPLOSIONS

514
00:11:17,667 --> 00:11:20,133
EVERY TIME SHE MADE CONTACT.

515
00:11:20,133 --> 00:11:21,567
TO QUOTE K.MICHELLE,

516
00:11:21,567 --> 00:11:23,467
MISS KARLIE WAS MESSY.

517
00:11:23,467 --> 00:11:27,600
LET'S TAKE A LOOK.

518
00:11:27,600 --> 00:11:28,867
WHAT IS YOUR FEELING ON

519
00:11:28,867 --> 00:11:30,133
KARLIE REDD?

520
00:11:30,133 --> 00:11:31,067
RIGHT NOW, IN MY EYES,

521
00:11:31,067 --> 00:11:32,600
SHE'S A RAT.

522
00:11:32,600 --> 00:11:35,200
JOSELINE IS A REAL CHICK.

523
00:11:35,200 --> 00:11:36,700
HER MAN IS STEVIE J.

524
00:11:36,700 --> 00:11:37,767
I'M SORRY, NO, IT'S NOT.

525
00:11:37,767 --> 00:11:38,567
YOU NEED TO MIND YOUR

526
00:11:38,567 --> 00:11:39,867
BUSINESS, KARLIE REDD.

527
00:11:39,867 --> 00:11:40,967
IT'S TIME FOR ME TO GIVE THIS

528
00:11:40,967 --> 00:11:42,633
BITCH A REALITY CHECK.

529
00:11:42,633 --> 00:11:43,400
I DON'T WANT TO HEAR NONE OF

530
00:11:43,400 --> 00:11:44,067
THAT BULL[bleep] ABOUT

531
00:11:44,067 --> 00:11:44,733
YOU AND MIMI TALK.

532
00:11:44,733 --> 00:11:45,400
I DON'T GIVE A [bleep]

533
00:11:45,400 --> 00:11:46,067
ABOUT THAT.

534
00:11:46,067 --> 00:11:47,600
DON'T TALK ABOUT ME WITH MIMI.

535
00:11:47,600 --> 00:11:49,067
SOMEBODY IS GOING TO GET [bleep]

536
00:11:49,067 --> 00:11:51,067
THEIR ASS, 'CAUSE HONEY, YOU

537
00:11:51,067 --> 00:11:52,567
DESERVE THAT ASS WHUPPING 'CAUSE

538
00:11:52,567 --> 00:11:54,433
YOU TALK TOO MUCH.

539
00:11:54,433 --> 00:11:55,100
[applause]

540
00:11:55,100 --> 00:11:57,267
MIMI, MIMI, MIMI, MIMI, MIMI,

541
00:11:57,267 --> 00:11:58,100
THAT'S THE GIRL THAT SAID

542
00:11:58,100 --> 00:11:59,867
SHE [bleep] STEVIE,

543
00:11:59,867 --> 00:12:01,333
IN THE WHITE.

544
00:12:01,333 --> 00:12:02,400
I HOPE SOMEBODY GIVE HER

545
00:12:02,400 --> 00:12:03,733
SOME KIND OF JOB,

546
00:12:03,733 --> 00:12:05,067
THE NATIONAL ENQUIRER,

547
00:12:05,067 --> 00:12:06,167
BECAUSE SHE'S

548
00:12:06,167 --> 00:12:07,433
IN EVERYBODY'S BUSINESS

549
00:12:07,433 --> 00:12:08,933
BUT HER OWN.

550
00:12:08,933 --> 00:12:09,767
I LOOKED FOR YOUR RECEIPTS.

551
00:12:09,767 --> 00:12:10,700
WHEN I GOOGLED YOUR NAME--

552
00:12:10,700 --> 00:12:11,933
BABY, YOU DON'T KNOW ME.

553
00:12:11,933 --> 00:12:12,967
A BRAND OF VINEGAR.

554
00:12:12,967 --> 00:12:14,100
STEVIE'S GOTTEN JOSELINE

555
00:12:14,100 --> 00:12:14,933
PREGNANT.

556
00:12:14,933 --> 00:12:16,367
I GUESS WHAT I WAS SAYING

557
00:12:16,367 --> 00:12:17,067
WAS TRUE.

558
00:12:17,067 --> 00:12:17,867
YEAH.

559
00:12:17,867 --> 00:12:18,567
WHAT?

560
00:12:18,567 --> 00:12:19,733
WHAT DO YOU HAVE TO SAY NOW?

561
00:12:19,733 --> 00:12:21,267
OH, YOU FEEL STUPID.

562
00:12:21,267 --> 00:12:22,800
OH, YOU'RE HURT.

563
00:12:22,800 --> 00:12:24,367
I TRIED TO WARN YOU.

564
00:12:24,367 --> 00:12:25,767
HER FACE IS MESSY.

565
00:12:25,767 --> 00:12:27,667
HER CLOTHES ARE MESSY.

566
00:12:27,667 --> 00:12:30,100
HER ASS IS LOPSIDED AND MESSY.

567
00:12:30,100 --> 00:12:31,267
YOU ARE A JOKE TO ME.

568
00:12:31,267 --> 00:12:32,167
I KNOW SHE'S LIKE,

569
00:12:32,167 --> 00:12:33,167
REAL FAKE AND PHONY,

570
00:12:33,167 --> 00:12:34,433
AND SHE'S FROM L.A.

571
00:12:34,433 --> 00:12:35,433
THEY ALL FAKE AND PHONY.

572
00:12:35,433 --> 00:12:36,100
THEY ALWAYS PUTTING ON

573
00:12:36,100 --> 00:12:36,767
THAT FRONT.

574
00:12:36,767 --> 00:12:37,767
[feigns giggling]

575
00:12:37,767 --> 00:12:38,700
"MY NAME'S KARLIE."

576
00:12:38,700 --> 00:12:39,367
[giggles]

577
00:12:39,367 --> 00:12:40,100
BITCH, SHUT UP.

578
00:12:40,100 --> 00:12:41,167
DON'T MAKE UP NO [bleep]

579
00:12:41,167 --> 00:12:42,100
ON ME, BITCH.

580
00:12:42,100 --> 00:12:42,933
HEY.

581
00:12:42,933 --> 00:12:44,767
TRY IT.

582
00:12:44,767 --> 00:12:46,767
WHOO-OOH!

583
00:12:46,767 --> 00:12:48,967
THIS BITCH IS SHAKIN' THE TABLE.

584
00:12:48,967 --> 00:12:50,433
DON'T SHAKE

585
00:12:50,433 --> 00:12:52,100
UNLESS YOU READY TO GET SHOOK.

586
00:12:52,100 --> 00:12:53,100
[applause]

587
00:12:53,100 --> 00:12:54,600
KARLIE, YOU RUBBED A LOT OF

588
00:12:54,600 --> 00:12:55,900
PEOPLE THE WRONG WAY BECAUSE YOU

589
00:12:55,900 --> 00:12:57,133
ALWAYS SEEMED TO BE IN SOMEBODY

590
00:12:57,133 --> 00:12:58,067
ELSE'S BUSINESS.

591
00:12:58,067 --> 00:12:59,100
WHAT DO YOU SAY ABOUT THAT?

592
00:12:59,100 --> 00:13:00,100
I WAS JUST KEEPING IT REAL

593
00:13:00,100 --> 00:13:00,900
FOR MY GIRL.

594
00:13:00,900 --> 00:13:01,667
LIKE, I WAS JUST LETTING HER

595
00:13:01,667 --> 00:13:02,333
KNOW.

596
00:13:02,333 --> 00:13:03,200
'CAUSE IF I DIDN'T TELL HER,

597
00:13:03,200 --> 00:13:04,967
THEN I WOULD SEEM FAKE.

598
00:13:04,967 --> 00:13:06,433
AND I DIDN'T WANT TO BE FAKE.

599
00:13:06,433 --> 00:13:07,767
BECAUSE SHE'S ANCIENT.

600
00:13:07,767 --> 00:13:08,767
SHE'S FOSSIL REDD.

601
00:13:08,767 --> 00:13:10,167
SHE'S BEEN HERE BEFORE.

602
00:13:10,167 --> 00:13:11,233
SHUT UP, BIPOLAR.

603
00:13:11,233 --> 00:13:12,100
YOU'RE UGLY.

604
00:13:12,100 --> 00:13:12,900
AND YOU LOOK LIKE

605
00:13:12,900 --> 00:13:13,833
THE BOTTOM OF MY SHOE.

606
00:13:13,833 --> 00:13:14,767
GET YOUR TEETH--

607
00:13:14,767 --> 00:13:15,867
HAVE YOU GUYS SEEN HER TEETH

608
00:13:15,867 --> 00:13:17,200
BEFORE SHE GOT IT FIXED?

609
00:13:17,200 --> 00:13:18,600
OH, MY GOD, A HOT MESS.

610
00:13:18,600 --> 00:13:19,833
WHERE IS YOUR CHILD?

611
00:13:19,833 --> 00:13:20,967
SHE GOT 'EM FIXED, NOW.

612
00:13:20,967 --> 00:13:22,567
WHERE IS YOUR DAUGHTER?

613
00:13:22,567 --> 00:13:23,633
SHE AN ACTRESS.

614
00:13:23,633 --> 00:13:24,833
WHERE IS YOUR DAUGHTER?

615
00:13:24,833 --> 00:13:26,100
LET'S TALK ABOUT THIS.

616
00:13:26,100 --> 00:13:26,767
WHERE'S YOUR SON?

617
00:13:26,767 --> 00:13:28,133
WHERE'S YOUR--I RAISE HIM.

618
00:13:28,133 --> 00:13:28,933
SO, NO, NO, BOO-BOO.

619
00:13:28,933 --> 00:13:30,267
NO, NO, YOU DID NOT.

620
00:13:30,267 --> 00:13:31,367
HELLO.

621
00:13:31,367 --> 00:13:32,833
THANK YOU.

622
00:13:32,833 --> 00:13:34,100
LET ME ASK YOU A QUESTION,

623
00:13:34,100 --> 00:13:35,133
KARLIE, BECAUSE THIS HAS COME UP

624
00:13:35,133 --> 00:13:36,167
TIME AND TIME AGAIN.

625
00:13:36,167 --> 00:13:36,933
LET'S SETTLE IT

626
00:13:36,933 --> 00:13:37,833
ONCE AND FOR ALL NOW.

627
00:13:37,833 --> 00:13:39,200
DO YOU HAVE A DAUGHTER?

628
00:13:39,200 --> 00:13:40,167
I DO HAVE A DAUGHTER,

629
00:13:40,167 --> 00:13:42,100
BUT I DIDN'T WANT HER TO HAVE

630
00:13:42,100 --> 00:13:43,467
ANYTHING TO DO WITH THE SHOW.

631
00:13:43,467 --> 00:13:44,567
I DON'T WANT MY CHILD HAVE TO GO

632
00:13:44,567 --> 00:13:46,067
TO SCHOOL AND PEOPLE ARE TALKING

633
00:13:46,067 --> 00:13:47,067
ABOUT HER--"OH, YOUR MOTHER"--

634
00:13:47,067 --> 00:13:47,767
NO.

635
00:13:47,767 --> 00:13:48,833
I'MA KEEP HER OUT OF IT.

636
00:13:48,833 --> 00:13:49,567
IT'S--

637
00:13:49,567 --> 00:13:50,767
HOW OLD IS YOUR DAUGHTER?

638
00:13:50,767 --> 00:13:51,433
[stammers]

639
00:13:51,433 --> 00:13:52,267
THAT'S--

640
00:13:52,267 --> 00:13:53,567
I DON'T WANT TO KEEP MY--

641
00:13:53,567 --> 00:13:54,433
I DON'T WANT TO PUT MY--

642
00:13:54,433 --> 00:13:55,167
I'M GONNA KEEP MY DAUGHTER

643
00:13:55,167 --> 00:13:55,833
OUT OF THIS.

644
00:13:55,833 --> 00:13:56,967
THAT'S FAIR, BUT YOU DO HAVE

645
00:13:56,967 --> 00:13:58,600
A DAUGHTER WHO YOU ACKNOWLEDGE--

646
00:13:58,600 --> 00:13:59,433
YES, OF COURSE.

647
00:13:59,433 --> 00:14:00,300
OKAY, SO LET'S

648
00:14:00,300 --> 00:14:01,300
TAKE A QUESTION FROM

649
00:14:01,300 --> 00:14:03,567
OUR STUDIO AUDIENCE RIGHT NOW.

650
00:14:03,567 --> 00:14:04,167
OH, ALL RIGHT.

651
00:14:04,167 --> 00:14:06,333
THIS ONE IS FROM FUNKY DINEVA

652
00:14:06,333 --> 00:14:08,100
WHO IS IN OUR AUDIENCE TONIGHT.

653
00:14:08,100 --> 00:14:09,267
YES, GOD, MISS MONA.

654
00:14:09,267 --> 00:14:10,467
YES, GOD, HONEY, I'MA LET YOU

655
00:14:10,467 --> 00:14:11,767
ASK YOUR OWN QUESTION.

656
00:14:11,767 --> 00:14:12,433
HONEY.

657
00:14:12,433 --> 00:14:13,100
MISS KARLIE REDD,

658
00:14:13,100 --> 00:14:13,967
NOW, LET ME TELL YOU SOMETHING.

659
00:14:13,967 --> 00:14:15,267
I'M HERE FOR THE PEOPLE, AND I

660
00:14:15,267 --> 00:14:16,333
GOT A QUESTION THAT THE STREET

661
00:14:16,333 --> 00:14:17,600
IS ASKING, OKAY?

662
00:14:17,600 --> 00:14:18,967
ON THAT EPISODE WHERE YOU ARE

663
00:14:18,967 --> 00:14:20,567
AUDITION FOR STEVIE J, YOU

664
00:14:20,567 --> 00:14:22,233
HAD ON YOUR NASTY TWO-STEP

665
00:14:22,233 --> 00:14:24,100
LOUIS, GUCCI, PRADA, OKAY?

666
00:14:24,100 --> 00:14:25,867
AND YOU TOLD EVERYBODY THAT YOU

667
00:14:25,867 --> 00:14:27,467
WERE SIGNED TO CASH MONEY, BUT

668
00:14:27,467 --> 00:14:28,900
THE PRESIDENT OF CASH MONEY

669
00:14:28,900 --> 00:14:30,367
RECORDS, MR. MACK MAINE, SAID

670
00:14:30,367 --> 00:14:31,433
YOU ARE NOT NOW NOR HAVE YOU

671
00:14:31,433 --> 00:14:34,167
EVER BEEN SIGNED TO CASH MONEY.

672
00:14:34,167 --> 00:14:35,667
SO MY QUESTION TO YOU IS,

673
00:14:35,667 --> 00:14:37,433
ARE YOU NOW OR WERE YOU EVER

674
00:14:37,433 --> 00:14:39,167
SIGNED TO CASH MONEY?

675
00:14:39,167 --> 00:14:41,567
MALCOLM MILES, WHO IS V.P.

676
00:14:41,567 --> 00:14:42,567
OF CASH MONEY RECORDS

677
00:14:42,567 --> 00:14:43,167
IS MY MANAGER.

678
00:14:43,167 --> 00:14:44,400
SO IS MEL SMITH, WHO IS ALSO THE

679
00:14:44,400 --> 00:14:45,433
VICE PRESIDENT OF CASH MONEY.

680
00:14:45,433 --> 00:14:46,733
OKAY, BUT FOR THE RECORD,

681
00:14:46,733 --> 00:14:47,700
YOU ARE NOT SIGNED TO CASH MONEY

682
00:14:47,700 --> 00:14:48,367
MANAGEMENT.

683
00:14:48,367 --> 00:14:49,267
THAT'S WHAT I'VE BEEN SAYING.

684
00:14:49,267 --> 00:14:50,833
ALL RIGHT, SO K.MICHELLE,

685
00:14:50,833 --> 00:14:53,233
AS IT TURNED OUT, KARLIE WASN'T

686
00:14:53,233 --> 00:14:54,633
THE ONLY PERSON THAT YOU HAD

687
00:14:54,633 --> 00:14:55,733
ISSUES WITH THIS SEASON.

688
00:14:55,733 --> 00:14:56,600
UH-HUH.

689
00:14:56,600 --> 00:14:58,967
YOU AND RASHEEDA SEEMED TO BE

690
00:14:58,967 --> 00:14:59,767
BUILDING A FRIENDSHIP

691
00:14:59,767 --> 00:15:00,500
IN THE BEGINNING.

692
00:15:00,500 --> 00:15:01,167
MM-HMM.

693
00:15:01,167 --> 00:15:02,133
BUT ALL OF THAT CAME TUMBLING

694
00:15:02,133 --> 00:15:03,567
DOWN WHEN SHE CHALLENGED THE

695
00:15:03,567 --> 00:15:05,600
ALLEGATIONS OF ABUSE BY YOUR EX.

696
00:15:05,600 --> 00:15:06,267
YEAH.

697
00:15:06,267 --> 00:15:06,967
ALL RIGHT,

698
00:15:06,967 --> 00:15:10,167
LET'S CHECK OUT THAT SCENE.

699
00:15:10,167 --> 00:15:11,700
I AM A WOMAN THAT LIVED

700
00:15:11,700 --> 00:15:14,200
THROUGH THE VIOLENCE AGAINST ME.

701
00:15:14,200 --> 00:15:15,900
BUT MORE THAN ANYTHING,

702
00:15:15,900 --> 00:15:18,267
I'M A SURVIVOR.

703
00:15:18,267 --> 00:15:19,667
I JUST THANK YOU FOR NOT TAKING

704
00:15:19,667 --> 00:15:21,567
SIDES IN THE SITUATION.

705
00:15:21,567 --> 00:15:22,733
BUT IF HE SAYS HE'S SORRY,

706
00:15:22,733 --> 00:15:24,267
THEN WHERE DOES THAT PUT YOU?

707
00:15:24,267 --> 00:15:25,100
DOES THAT TAKE YOU

708
00:15:25,100 --> 00:15:25,933
TO ANOTHER PLACE?

709
00:15:25,933 --> 00:15:27,133
YOU KNOW WHAT IT DOES?

710
00:15:27,133 --> 00:15:28,633
IT AT LEAST MAKES ME FEEL LIKE

711
00:15:28,633 --> 00:15:31,067
THERE IS SOME GOOD.

712
00:15:31,067 --> 00:15:32,567
MAYBE HE'S NOT DOING THAT

713
00:15:32,567 --> 00:15:34,567
BECAUSE THAT'S NOT SOMETHING

714
00:15:34,567 --> 00:15:36,633
THAT HE DID TO YOU.

715
00:15:36,633 --> 00:15:39,100
RASHEEDA, HE DID THAT TO ME.

716
00:15:39,100 --> 00:15:40,900
I HAVE SCARS ALL ON MY LEG,

717
00:15:40,900 --> 00:15:42,267
CARPET BURNS,

718
00:15:42,267 --> 00:15:43,833
FROM FIGHTING.

719
00:15:43,833 --> 00:15:44,933
THREE YEARS

720
00:15:44,933 --> 00:15:46,733
MY CAREER WAS GONE BECAUSE I

721
00:15:46,733 --> 00:15:47,767
COULD NOT TALK.

722
00:15:47,767 --> 00:15:49,467
I DON'T HAVE THAT NO MORE.

723
00:15:49,467 --> 00:15:51,600
I DON'T CARE WHAT NOBODY

724
00:15:51,600 --> 00:15:53,267
GOT TO SAY ABOUT ME.

725
00:15:53,267 --> 00:15:54,733
'CAUSE THAT'S MY [bleep].

726
00:15:54,733 --> 00:15:56,267
NONE OF Y'ALL WAS THERE.

727
00:15:56,267 --> 00:15:57,767
NONE OF Y'ALL.

728
00:15:57,767 --> 00:15:59,600
THAT MAN BEAT MY ASS!

729
00:15:59,600 --> 00:16:02,167
AND I HAD TO DEAL WITH THAT!

730
00:16:02,167 --> 00:16:03,567
SO I DON'T GIVE A [bleep] WHAT

731
00:16:03,567 --> 00:16:05,067
NOBODY THINKS ABOUT NOTHING

732
00:16:05,067 --> 00:16:07,933
I GOT GOING ON!

733
00:16:07,933 --> 00:16:09,267
WOW.

734
00:16:09,267 --> 00:16:10,933
LET'S START WITH YOU, RASHEEDA.

735
00:16:10,933 --> 00:16:12,433
YOU'D HEARD K.MICHELLE TELL YOU

736
00:16:12,433 --> 00:16:13,567
THE STORY SO MANY TIMES,

737
00:16:13,567 --> 00:16:14,600
AND THERE WERE POINTS

738
00:16:14,600 --> 00:16:15,633
WHERE YOU EMPATHIZED WITH HER

739
00:16:15,633 --> 00:16:16,633
AND UNDERSTOOD HER STORY.

740
00:16:16,633 --> 00:16:18,167
WHAT WAS DIFFERENT THAT TIME?

741
00:16:18,167 --> 00:16:19,067
WHAT MADE YOU TAKE A DIFFERENT

742
00:16:19,067 --> 00:16:19,700
POSITION?

743
00:16:19,700 --> 00:16:20,633
TO BE HONEST WITH YOU,

744
00:16:20,633 --> 00:16:22,100
I'VE BEEN FRIENDS WITH THEM

745
00:16:22,100 --> 00:16:23,600
FOR A VERY LONG, LONG TIME.

746
00:16:23,600 --> 00:16:25,100
AND I'M VERY, VERY CLOSE

747
00:16:25,100 --> 00:16:25,833
TO HIS WIFE.

748
00:16:25,833 --> 00:16:26,600
YOU KNOW?

749
00:16:26,600 --> 00:16:28,167
AND I HEARD BOTH SIDES

750
00:16:28,167 --> 00:16:29,067
OF THE STORY.

751
00:16:29,067 --> 00:16:29,933
WHAT ARE THOUGHTS NOW ON

752
00:16:29,933 --> 00:16:31,667
THE SUBJECT, ON EVERYTHING THAT

753
00:16:31,667 --> 00:16:32,600
YOU'VE HEARD FROM K.MICHELLE?

754
00:16:32,600 --> 00:16:33,433
YOU KNOW WHAT?

755
00:16:33,433 --> 00:16:34,367
TO BE HONEST WITH YOU, IT AIN'T

756
00:16:34,367 --> 00:16:35,633
GOT NOTHING TO DO WITH ME,

757
00:16:35,633 --> 00:16:36,300
BUT AT THE END OF THE DAY,

758
00:16:36,300 --> 00:16:36,967
I DON'T KNOW

759
00:16:36,967 --> 00:16:37,800
IF I BELIEVE K.MICHELLE.

760
00:16:37,800 --> 00:16:38,933
OKAY.

761
00:16:38,933 --> 00:16:39,767
OH, WOW.

762
00:16:39,767 --> 00:16:40,567
THANK YOU.

763
00:16:40,567 --> 00:16:42,100
REGARDLESS OF ANYTHING, FOR

764
00:16:42,100 --> 00:16:43,600
THREE YEARS, I'VE BEEN

765
00:16:43,600 --> 00:16:45,400
HELPING WOMEN WHO WENT THROUGH

766
00:16:45,400 --> 00:16:46,733
DOMESTIC VIOLENCE.

767
00:16:46,733 --> 00:16:48,400
SO REGARDLESS OF HOW CRAZY

768
00:16:48,400 --> 00:16:50,433
K.MICHELLE IS OR HOW I ACT--

769
00:16:50,433 --> 00:16:52,100
I DON'T SAY I ACT RIGHT.

770
00:16:52,100 --> 00:16:53,267
I DON'T ALWAYS ACT RIGHT.

771
00:16:53,267 --> 00:16:54,900
I NEVER HAVE SAID I WAS THIS

772
00:16:54,900 --> 00:16:56,300
PICTURE PERFECT WOMAN.

773
00:16:56,300 --> 00:16:58,567
WHAT I SAID WAS WHAT HAPPENED TO

774
00:16:58,567 --> 00:17:00,667
ME IS WHAT HAPPENED TO ME.

775
00:17:00,667 --> 00:17:01,767
AND RASHEEDA, YOU DON'T HAVE TO

776
00:17:01,767 --> 00:17:03,467
BELIEVE IT, BUT YOU SURE SAT

777
00:17:03,467 --> 00:17:04,633
THERE EVERY EPISODE GETTING

778
00:17:04,633 --> 00:17:05,433
YOUR CHECK, LISTENING TO ME.

779
00:17:05,433 --> 00:17:06,633
DAMN STRAIGHT.

780
00:17:06,633 --> 00:17:07,300
YOU DID WHAT IT WAS.

781
00:17:07,300 --> 00:17:08,667
YOU SURE CRIED AT EVERYTHING

782
00:17:08,667 --> 00:17:10,233
WITH ME IN MY HAND.

783
00:17:10,233 --> 00:17:11,767
BUT WHEN THE FIRST EPISODE

784
00:17:11,767 --> 00:17:13,833
CAME OUT AND IT GOT TOUGH,

785
00:17:13,833 --> 00:17:15,100
YOU GOT TO RUNNING.

786
00:17:15,100 --> 00:17:15,933
OH, I AIN'T RUN.

787
00:17:15,933 --> 00:17:16,600
YES, YOU DID.

788
00:17:16,600 --> 00:17:17,333
NO, I [bleep] DIDN'T.

789
00:17:17,333 --> 00:17:18,067
IT GOT TOUGH.

790
00:17:18,067 --> 00:17:18,667
NO, I DIDN'T.

791
00:17:18,667 --> 00:17:19,567
WHEN IT GOT TOUGH,

792
00:17:19,567 --> 00:17:20,667
THE BOSS LEFT.

793
00:17:20,667 --> 00:17:21,333
AND WE WENT TO

794
00:17:21,333 --> 00:17:22,067
SWEET VALLEY HIGH.

795
00:17:22,067 --> 00:17:22,667
OH, YOU WANT TO SAY

796
00:17:22,667 --> 00:17:23,333
THE BOSS LEFT?

797
00:17:23,333 --> 00:17:24,067
THE BOSS AIN'T LEAVE.

798
00:17:24,067 --> 00:17:25,233
FIRST OF ALL, LET ME--

799
00:17:25,233 --> 00:17:26,333
HOLD ON. HOLD ON.

800
00:17:26,333 --> 00:17:27,367
PLEASE TELL SCARECROW

801
00:17:27,367 --> 00:17:28,133
TO SHUT UP.

802
00:17:28,133 --> 00:17:28,833
HOLD ON.

803
00:17:28,833 --> 00:17:30,467
LET ME SAY SOMETHING.

804
00:17:30,467 --> 00:17:31,367
AIN'T NOBODY LEAVE,

805
00:17:31,367 --> 00:17:32,267
YOU KNOW WHAT?

806
00:17:32,267 --> 00:17:33,767
BECAUSE, TO BE HONEST WITH YOU--

807
00:17:33,767 --> 00:17:34,933
LET ME SIT--NO, WE CAN SIT UP.

808
00:17:34,933 --> 00:17:35,600
I GOT YOU.

809
00:17:35,600 --> 00:17:36,267
I'M JUST TALKING.

810
00:17:36,267 --> 00:17:36,967
WE WOMEN; WE CAN TALK.

811
00:17:36,967 --> 00:17:37,833
YEAH, WE ARE WOMEN.

812
00:17:37,833 --> 00:17:38,933
BUT LET ME SAY THIS.

813
00:17:38,933 --> 00:17:40,067
I HAD TO PUT TWO AND TWO

814
00:17:40,067 --> 00:17:41,200
TOGETHER AND SAY "HUH, SOMETHING

815
00:17:41,200 --> 00:17:42,400
DON'T MAKE NO DAMN SENSE."

816
00:17:42,400 --> 00:17:43,200
WHAT DON'T MAKE--HOW I GET

817
00:17:43,200 --> 00:17:44,833
OUT OF A $2 MILLION RECORD DEAL

818
00:17:44,833 --> 00:17:45,933
OR EVERYTHING?

819
00:17:45,933 --> 00:17:47,067
THEY DIDN'T LET ME GO...

820
00:17:47,067 --> 00:17:47,667
LISTEN HERE.

821
00:17:47,667 --> 00:17:48,333
LIKE THEY LET YOU GO

822
00:17:48,333 --> 00:17:49,067
ON YOURS.

823
00:17:49,067 --> 00:17:49,667
[all "Oohing"]

824
00:17:49,667 --> 00:17:50,333
OH, BITCH,

825
00:17:50,333 --> 00:17:52,167
THEY DIDN'T LET ME GO.

826
00:17:52,167 --> 00:17:53,633
I LEFT.

827
00:17:53,633 --> 00:17:54,967
I HAD TO GET OUT OF MINE.

828
00:17:54,967 --> 00:17:55,667
LET'S KEEP

829
00:17:55,667 --> 00:17:56,333
THAT [bleep] CLEAR.

830
00:17:56,333 --> 00:17:57,233
YOU'RE STRANGLING THE FISH,

831
00:17:57,233 --> 00:17:57,900
RASHEEDA.

832
00:17:57,900 --> 00:17:58,733
WHEN IT GOT TOUGH,

833
00:17:58,733 --> 00:18:00,067
I LISTENED TO YOU.

834
00:18:00,067 --> 00:18:01,233
I LISTENED ABOUT YOUR MARRIAGE.

835
00:18:01,233 --> 00:18:02,300
I WATCHED YOU DISRESPECT

836
00:18:02,300 --> 00:18:03,067
YOUR HUSBAND ON TV.

837
00:18:03,067 --> 00:18:03,667
I DIDN'T

838
00:18:03,667 --> 00:18:04,333
DISRESPECT MY HUSBAND.

839
00:18:04,333 --> 00:18:05,267
LET ME TELL YOU SOMETHING.

840
00:18:05,267 --> 00:18:06,567
A HUSBAND IS SOMETHING YOU WANT;

841
00:18:06,567 --> 00:18:08,100
SOMETHING I HAVE, OKAY?

842
00:18:08,100 --> 00:18:09,367
LET'S KEEP THAT CLEAR.

843
00:18:09,367 --> 00:18:10,733
AIN'T NOBODY GONNA MARRY

844
00:18:10,733 --> 00:18:11,933
NO CRAZY-ASS BITCH.

845
00:18:11,933 --> 00:18:12,633
YOU ABOUT TO LOSE HIM,

846
00:18:12,633 --> 00:18:13,433
DISRESPECT HIM ON TV.

847
00:18:13,433 --> 00:18:14,433
I AIN'T GONNA LOSE [bleep].

848
00:18:14,433 --> 00:18:16,067
PLEASE, BELIEVE THAT.

849
00:18:16,067 --> 00:18:17,733
THAT MAN YOU DESCRIBED YOU WANT

850
00:18:17,733 --> 00:18:18,667
IS THAT MAN.

851
00:18:18,667 --> 00:18:19,767
AND YOU NOT GONNA GET HIM.

852
00:18:19,767 --> 00:18:20,433
IT'S MY STORY.

853
00:18:20,433 --> 00:18:21,100
YEAH,

854
00:18:21,100 --> 00:18:22,067
AND THAT [bleep]'S A LIE.

855
00:18:22,067 --> 00:18:23,767
WOW, RASHEEDA, WELL, YOU

856
00:18:23,767 --> 00:18:24,933
SHOULDN'T HAVE CAME TO MY EVENT.

857
00:18:24,933 --> 00:18:25,600
YOU SHOULD HAVE BEEN--

858
00:18:25,600 --> 00:18:26,300
I DIDN'T WANT TO.

859
00:18:26,300 --> 00:18:27,567
DO WHAT YOU DO.

860
00:18:27,567 --> 00:18:28,200
DO SOMETHING WITH YOUR

861
00:18:28,200 --> 00:18:30,267
NAPPY-ASS HAIR, YOU BIPOLAR,

862
00:18:30,267 --> 00:18:32,200
SCHIZOPHRENIC, INSECURE BITCH.

863
00:18:32,200 --> 00:18:33,200
[both shouting indistinctly]

864
00:18:33,200 --> 00:18:34,267
BAGS UNDER YOUR EYES.

865
00:18:34,267 --> 00:18:35,133
YEAH, LET ME HAVE

866
00:18:35,133 --> 00:18:36,633
MY MOTHER[bleep] BAGS.

867
00:18:36,633 --> 00:18:38,933
[all "Oohing"]

868
00:18:38,933 --> 00:18:39,767
I GOT YOUR BACK.

869
00:18:39,767 --> 00:18:40,433
NO, YOU AIN'T.

870
00:18:40,433 --> 00:18:41,767
I AIN'T GOT TO MOVE.

871
00:18:41,767 --> 00:18:42,833
DO ANYBODY ELSE BELIEVE HER ASS?

872
00:18:42,833 --> 00:18:43,567
DO--

873
00:18:43,567 --> 00:18:45,100
CHILL, JUST CHILL.

874
00:18:45,100 --> 00:18:46,267
DO ANYBODY ELSE BELIEVE

875
00:18:46,267 --> 00:18:47,600
THAT DUMB-ASS HO?

876
00:18:47,600 --> 00:18:48,767
ASK THAT QUESTION.

877
00:18:48,767 --> 00:18:49,800
IT'S OBVIOUS WE'RE GONNA BE

878
00:18:49,800 --> 00:18:51,067
DEALING WITH A LOT OF THESE

879
00:18:51,067 --> 00:18:52,567
ISSUES FOR MANY MORE SEASONS

880
00:18:52,567 --> 00:18:53,367
TO COME.

881
00:18:53,367 --> 00:18:54,267
WE'RE GONNA TRY TO CALM THINGS

882
00:18:54,267 --> 00:18:55,733
DOWN WITH A BREAK.

883
00:18:55,733 --> 00:18:56,933
WE'LL BE BACK.

884
00:18:56,933 --> 00:18:58,167
JUMP, BITCH!

885
00:18:58,167 --> 00:18:58,833
JUMP!

886
00:18:58,833 --> 00:18:59,767
BITCH, SHUT UP BEFORE I--

887
00:18:59,767 --> 00:19:01,833
[all talking at once]

888
00:19:08,333 --> 00:19:09,333
[hip-hop music]

889
00:19:09,333 --> 00:19:10,233
♪♪

890
00:19:10,233 --> 00:19:10,900
YOU'RE WATCHING

891
00:19:10,900 --> 00:19:11,967
LOVE and HIP-HOP: ATLANTA:

892
00:19:11,967 --> 00:19:13,233
THE REUNION.

893
00:19:13,233 --> 00:19:14,800
I'M JOINED NOW BY STEVIE,

894
00:19:14,800 --> 00:19:17,433
JOSELINE, ERICA, AND SCRAPPY.

895
00:19:17,433 --> 00:19:18,800
WE HAD QUITE A FEW ARGUMENTS

896
00:19:18,800 --> 00:19:20,667
THIS SEASON, BUT UNFORTUNATELY,

897
00:19:20,667 --> 00:19:22,400
ONE OF THEM QUICKLY TURNED INTO

898
00:19:22,400 --> 00:19:25,133
A SERIOUS PHYSICAL ALTERCATION.

899
00:19:25,133 --> 00:19:26,367
WHAT STARTED OUT AS

900
00:19:26,367 --> 00:19:28,567
A CONVERSATION GOT UGLY FAST,

901
00:19:28,567 --> 00:19:30,100
AND SUDDENLY ESCALATED

902
00:19:30,100 --> 00:19:32,433
INTO AN ALL-OUT MELEE.

903
00:19:32,433 --> 00:19:34,500
TAKE A LOOK.

904
00:19:38,600 --> 00:19:40,133
"GIVE ME A KISS."

905
00:19:40,133 --> 00:19:42,133
"YOU GONNA GIVE ME A KISS."

906
00:19:46,100 --> 00:19:46,767
OKAY.

907
00:19:46,767 --> 00:19:47,800
HE WAS LIKE, "NO, BITCH,

908
00:19:47,800 --> 00:19:48,833
WHAT THE [bleep] DID YOU SAY?"

909
00:19:48,833 --> 00:19:49,567
BITCH?

910
00:19:49,567 --> 00:19:50,600
YES, "BITCH".

911
00:19:50,600 --> 00:19:51,800
THAT'S WHAT HE CALLED ME.

912
00:19:51,800 --> 00:19:52,567
I WANT TO PUT THEM PAWS

913
00:19:52,567 --> 00:19:53,267
ON HIM.

914
00:19:53,267 --> 00:19:54,833
GO AT HIM.

915
00:19:54,833 --> 00:19:56,567
MAKE HIM ANSWER.

916
00:19:56,567 --> 00:19:59,200
CHECK HIM.

917
00:19:59,200 --> 00:20:00,033
THAT'S HIM, RIGHT THERE.

918
00:20:00,033 --> 00:20:00,900
YOU KNOW THIS WAS

919
00:20:00,900 --> 00:20:01,800
MY BABY MAMA?

920
00:20:01,800 --> 00:20:02,667
IF I CALLED YOU A BITCH,

921
00:20:02,667 --> 00:20:04,167
I WANT TO APOLOGIZE TO YOU.

922
00:20:04,167 --> 00:20:05,100
I CURSE YOUR [bleep] OUT

923
00:20:05,100 --> 00:20:05,767
RIGHT NOW?

924
00:20:05,767 --> 00:20:06,667
WHAT'S THE PROBLEM?

925
00:20:06,667 --> 00:20:07,933
AIN'T Y'ALL [bleep] BEFORE

926
00:20:07,933 --> 00:20:09,267
YOU KNEW HIM, BEFORE ANYTHING?

927
00:20:09,267 --> 00:20:10,267
SO WHAT'S THE PROBLEM?

928
00:20:10,267 --> 00:20:10,933
WHAT ARE YOU TRYING

929
00:20:10,933 --> 00:20:11,600
TO GET AT?

930
00:20:11,600 --> 00:20:12,433
WHAT ARE YOU TRYING TO GET AT?

931
00:20:12,433 --> 00:20:14,233
NO, WE DIDN'T [bleep], BITCH.

932
00:20:14,233 --> 00:20:18,600
[grunting and smacking]

933
00:20:18,600 --> 00:20:19,267
NO, GET OFF OF ME.

934
00:20:19,267 --> 00:20:20,567
YOUR RAGGEDY ASS.

935
00:20:20,567 --> 00:20:21,433
[bleep] OH, YOU DOING WHAT?

936
00:20:21,433 --> 00:20:22,433
GET RIGHT IN THERE, BOY.

937
00:20:22,433 --> 00:20:24,133
YOU SUCKA BITCH!

938
00:20:24,133 --> 00:20:25,200
smack! [bleep]!

939
00:20:25,200 --> 00:20:26,433
GET IN THE CAR, [bleep]!

940
00:20:26,433 --> 00:20:28,100
ERICA, THIS IS JUST OVER.

941
00:20:28,100 --> 00:20:29,300
THAT'S WHAT YOU WANT.

942
00:20:29,300 --> 00:20:30,233
[bleep] MY [bleep]

943
00:20:30,233 --> 00:20:31,133
THEN YOU [bleep] HIS [bleep].

944
00:20:31,133 --> 00:20:32,267
DON'T DO IT.

945
00:20:32,267 --> 00:20:33,600
NO.

946
00:20:33,600 --> 00:20:35,700
[bleep]!

947
00:20:35,700 --> 00:20:36,367
SCRAPPY!

948
00:20:36,367 --> 00:20:38,033
[bleep]!

949
00:20:38,033 --> 00:20:39,200
[smacking and grunting]

950
00:20:39,200 --> 00:20:40,767
[bleep] [bleep]!

951
00:20:40,767 --> 00:20:41,933
TAG EM, BOY.

952
00:20:41,933 --> 00:20:42,700
KNOW WHAT I'M SAYING?

953
00:20:42,700 --> 00:20:44,367
YOU ALL RIGHT?

954
00:20:44,367 --> 00:20:46,367
[audience murmurs]

955
00:20:46,367 --> 00:20:47,267
LET ME JUST EXPLAIN FOR A

956
00:20:47,267 --> 00:20:48,633
SECOND FOR OUR VIEWING AUDIENCE,

957
00:20:48,633 --> 00:20:50,300
IN SUPPORT OF THE ONGOING EFFORT

958
00:20:50,300 --> 00:20:51,933
TO MINIMIZE THE VIOLENCE SHOWN

959
00:20:51,933 --> 00:20:53,400
ON THE NETWORK, WE AGREED

960
00:20:53,400 --> 00:20:54,533
TO EDIT THE FIGHT DOWN

961
00:20:54,533 --> 00:20:55,400
TO WHAT YOU GUYS SAW.

962
00:20:55,400 --> 00:20:56,900
BUT SINCE WE'RE HERE AND THE

963
00:20:56,900 --> 00:20:58,133
VIEWERS WANT TO KNOW EXACTLY

964
00:20:58,133 --> 00:20:59,267
WHAT HAPPENED THAT NIGHT--

965
00:20:59,267 --> 00:21:00,800
AND I KNOW YOU GUYS WANT TO

966
00:21:00,800 --> 00:21:01,833
CLEAR IT UP BECAUSE THERE'S BEEN

967
00:21:01,833 --> 00:21:03,433
SO MUCH CHATTER BACK AND FORTH.

968
00:21:03,433 --> 00:21:04,367
WHY DON'T WE JUST GO AHEAD

969
00:21:04,367 --> 00:21:05,300
AND SET THE RECORD STRAIGHT

970
00:21:05,300 --> 00:21:06,767
ONCE AND FOR ALL?

971
00:21:06,767 --> 00:21:07,800
SCRAPPY.

972
00:21:07,800 --> 00:21:09,100
I PUT MY PAWS ON HIM GOOD.

973
00:21:09,100 --> 00:21:10,200
OKAY.

974
00:21:10,200 --> 00:21:11,267
[cheers and applause]

975
00:21:11,267 --> 00:21:12,200
'CAUSE HE--YOU KNOW,

976
00:21:12,200 --> 00:21:13,933
THROUGH THE WHOLE SCENARIO,

977
00:21:13,933 --> 00:21:15,100
YOU KNOW, LIKE, I MEAN--

978
00:21:15,100 --> 00:21:16,433
WELL, THAT WAS MY QUESTION.

979
00:21:16,433 --> 00:21:17,300
WHAT WAS YOUR INTENTION

980
00:21:17,300 --> 00:21:18,200
GOING INTO IT?

981
00:21:18,200 --> 00:21:18,967
BECAUSE YOU DID SAY YOU WERE

982
00:21:18,967 --> 00:21:20,600
GONNA PUT YOUR PAWS ON STEVIE.

983
00:21:20,600 --> 00:21:21,800
I WAS TALKING--I WAS HEATED

984
00:21:21,800 --> 00:21:23,100
AT THE TIME--BUT I REALLY WAS

985
00:21:23,100 --> 00:21:24,600
TRYING TO GO HOLLER AT HIM, MAKE

986
00:21:24,600 --> 00:21:26,733
SURE, YOU KNOW, HE UNDERSTAND,

987
00:21:26,733 --> 00:21:27,900
LIKE, THAT'S DANGEROUS.

988
00:21:27,900 --> 00:21:28,800
YOU KNOW, YOU GO HOLLER AT A

989
00:21:28,800 --> 00:21:30,300
CHICK YOU DON'T KNOW, CHICKS BE

990
00:21:30,300 --> 00:21:32,133
HAVING 100 DUDES WITH 'EM,

991
00:21:32,133 --> 00:21:32,833
YOU KNOW WHAT I'M SAYING?

992
00:21:32,833 --> 00:21:33,600
THEY--I DONE SEEN DUDES

993
00:21:33,600 --> 00:21:35,200
GET THEY ASS MOBBED.

994
00:21:35,200 --> 00:21:35,867
YOU FEEL ME?

995
00:21:35,867 --> 00:21:36,800
JUST FOR PUTTING THEY HAND OR

996
00:21:36,800 --> 00:21:38,233
TALKING TO A GIRL THE WRONG WAY.

997
00:21:38,233 --> 00:21:38,900
YOU FEEL ME?

998
00:21:38,900 --> 00:21:39,567
SO I JUST WANTED TO COME

999
00:21:39,567 --> 00:21:40,633
HOLLER AT HIM AND LET HIM KNOW

1000
00:21:40,633 --> 00:21:42,100
MINE GONNA BE RESPECTED.

1001
00:21:42,100 --> 00:21:42,767
YOU FEEL ME?

1002
00:21:42,767 --> 00:21:43,500
OKAY.

1003
00:21:43,500 --> 00:21:44,400
FOR MY DAUGHTER, ALL UP

1004
00:21:44,400 --> 00:21:46,233
TO MY BABY MAMA TO MY MAMA

1005
00:21:46,233 --> 00:21:48,067
TO MY SISTERS, EVERYBODY.

1006
00:21:48,067 --> 00:21:48,733
OKAY.

1007
00:21:48,733 --> 00:21:49,700
SO SCRAPPY, YOU WENT INTO THIS

1008
00:21:49,700 --> 00:21:50,900
BECAUSE YOU WANTED STEVIE TO

1009
00:21:50,900 --> 00:21:52,533
APOLOGIZE TO ERICA.

1010
00:21:52,533 --> 00:21:53,200
MM-HMM.

1011
00:21:53,200 --> 00:21:55,267
BUT AS THE CONVERSATION GOT

1012
00:21:55,267 --> 00:21:56,367
HEATED, YOU ENDED UP CALLING

1013
00:21:56,367 --> 00:21:57,700
JOSELINE A BITCH.

1014
00:21:57,700 --> 00:21:58,367
NOT ON PURPOSE.

1015
00:21:58,367 --> 00:21:59,333
JUST EXPLAINING TO HIM

1016
00:21:59,333 --> 00:22:01,067
IF I CALLED HIS [...] A BITCH--

1017
00:22:01,067 --> 00:22:01,767
YOU FEEL ME?

1018
00:22:01,767 --> 00:22:02,700
WHICH I AM, A BITCH.

1019
00:22:02,700 --> 00:22:04,167
I'M THE BITCH.

1020
00:22:04,167 --> 00:22:04,833
OKAY.

1021
00:22:04,833 --> 00:22:05,567
YOU SEE WHAT I'M SAYING?

1022
00:22:05,567 --> 00:22:06,367
I COULDN'T HEAR HIM 'CAUSE

1023
00:22:06,367 --> 00:22:07,067
SHE WAS DOING ALL THAT.

1024
00:22:07,067 --> 00:22:07,700
YOU FEEL ME?

1025
00:22:07,700 --> 00:22:08,567
AND I CAN'T UNDERSTAND WHAT

1026
00:22:08,567 --> 00:22:09,300
SHE BE SAYING 'CAUSE SHE GOT

1027
00:22:09,300 --> 00:22:09,967
THAT DIALECT.

1028
00:22:09,967 --> 00:22:10,633
I'M A BITCH.

1029
00:22:10,633 --> 00:22:11,567
YOU UNDERSTAND WHAT I'M SAYING.

1030
00:22:11,567 --> 00:22:12,200
DIBBA, DIBBA, DIBBA.

1031
00:22:12,200 --> 00:22:12,933
[rolls tongue]

1032
00:22:12,933 --> 00:22:14,100
[laughter]

1033
00:22:14,100 --> 00:22:14,933
ALL RIGHT, WELL,

1034
00:22:14,933 --> 00:22:16,600
DO YOU FEEL THAT YOU--

1035
00:22:16,600 --> 00:22:17,700
OH, JOSELINE.

1036
00:22:17,700 --> 00:22:18,933
AND GUESS WHAT?

1037
00:22:18,933 --> 00:22:20,400
[indistinct speech]

1038
00:22:20,400 --> 00:22:21,067
DO YOU FEEL LIKE

1039
00:22:21,067 --> 00:22:21,833
YOU OWE JOSELINE AN APOLOGY

1040
00:22:21,833 --> 00:22:22,867
FOR CALLING HER A BITCH?

1041
00:22:22,867 --> 00:22:23,900
BUT HE SAID SHE KNOW SHE A

1042
00:22:23,900 --> 00:22:25,600
BITCH, SO WHY HE NEED APOLOGIZE?

1043
00:22:25,600 --> 00:22:26,467
DID YOU MISS THAT?

1044
00:22:26,467 --> 00:22:27,233
SO YOU SAY I KNOW SHE'S A

1045
00:22:27,233 --> 00:22:28,600
BITCH, BUT I CAN DO THAT.

1046
00:22:28,600 --> 00:22:29,933
I CAN DO THAT.

1047
00:22:29,933 --> 00:22:30,967
I WASN'T EVEN REALLY MAD AT

1048
00:22:30,967 --> 00:22:31,933
YOU FOR CALLING ME A BITCH.

1049
00:22:31,933 --> 00:22:32,833
THAT [bleep] REALLY DIDN'T JUST

1050
00:22:32,833 --> 00:22:33,567
THROW ME OFF.

1051
00:22:33,567 --> 00:22:34,933
I GOT MAD AT THE FACT THAT ERICA

1052
00:22:34,933 --> 00:22:36,533
STARTED TALKING LOUD TO ME.

1053
00:22:36,533 --> 00:22:37,600
YOU RIGHT, ERICA, YOU DIDN'T

1054
00:22:37,600 --> 00:22:38,700
KNOW ME AND I DIDN'T KNOW YOU.

1055
00:22:38,700 --> 00:22:39,367
YOU DIDN'T HAVE TO DO

1056
00:22:39,367 --> 00:22:40,067
ALL THAT TO ME.

1057
00:22:40,067 --> 00:22:41,367
YOU HAD A PROBLEM WITH STEVIE.

1058
00:22:41,367 --> 00:22:42,067
I WAS AT--

1059
00:22:42,067 --> 00:22:42,700
WAIT A MINUTE.

1060
00:22:42,700 --> 00:22:43,600
I WAS AT THE STUDIO--

1061
00:22:43,600 --> 00:22:46,067
[both talking at once]

1062
00:22:46,067 --> 00:22:47,300
YOU DON'T QUESTION ME...

1063
00:22:47,300 --> 00:22:47,967
AT ALL.

1064
00:22:47,967 --> 00:22:48,700
YOU QUESTION HIM.

1065
00:22:48,700 --> 00:22:49,533
THAT'S WHERE YOU MESSED UP AT.

1066
00:22:49,533 --> 00:22:51,300
BITCH, SHUT UP BEFORE I--

1067
00:22:51,300 --> 00:22:52,233
HOLD ON A SECOND. HOLD ON.

1068
00:22:52,233 --> 00:22:53,300
[all talking at once]

1069
00:22:53,300 --> 00:22:53,967
JUMP, BITCH!

1070
00:22:53,967 --> 00:22:54,633
JUMP!

1071
00:22:54,633 --> 00:22:55,300
OKAY.

1072
00:22:55,300 --> 00:22:56,800
[all talking at once]

1073
00:22:56,800 --> 00:22:57,967
WE TALKED ABOUT THIS.

1074
00:22:57,967 --> 00:22:59,067
NO, NO, NO, NO, NO.

1075
00:22:59,067 --> 00:23:01,200
WHOA, WHOA, WHOA, WHOA, WAIT.

1076
00:23:01,200 --> 00:23:02,633
GET THIS BITCH BEFORE I WHUP

1077
00:23:02,633 --> 00:23:04,300
THAT ASS AGAIN.

1078
00:23:04,300 --> 00:23:05,400
GET THAT BITCH BEFORE I WHUP

1079
00:23:05,400 --> 00:23:06,100
THAT ASS AGAIN.

1080
00:23:06,100 --> 00:23:06,967
HOW ABOUT THAT?

1081
00:23:06,967 --> 00:23:08,567
Y'ALL NEED TO END THAT

1082
00:23:08,567 --> 00:23:09,800
CONVERSATION.

1083
00:23:09,800 --> 00:23:11,100
I WANT TO REEL THIS BACK IN.

1084
00:23:11,100 --> 00:23:12,100
HOS.

1085
00:23:12,100 --> 00:23:12,800
LET'S TALK ABOUT WHAT

1086
00:23:12,800 --> 00:23:13,567
HAPPENED THAT NIGHT

1087
00:23:13,567 --> 00:23:14,233
SPECIFICALLY, OKAY?

1088
00:23:14,233 --> 00:23:14,933
ALL RIGHT.

1089
00:23:14,933 --> 00:23:16,400
THERE WAS SOME TALK, STEVIE,

1090
00:23:16,400 --> 00:23:17,300
THAT YOU ENDED UP GOING TO

1091
00:23:17,300 --> 00:23:18,267
THE HOSPITAL THAT NIGHT.

1092
00:23:18,267 --> 00:23:19,833
SCRAPPY, I KNOW THAT YOU SAID

1093
00:23:19,833 --> 00:23:20,600
THAT YOU PUT HIM

1094
00:23:20,600 --> 00:23:21,267
IN THE HOSPITAL.

1095
00:23:21,267 --> 00:23:22,567
TELL ME EXACTLY WHAT HAPPENED

1096
00:23:22,567 --> 00:23:23,267
AND WHAT YOU WERE

1097
00:23:23,267 --> 00:23:24,100
IN THE HOSPITAL ABOUT.

1098
00:23:24,100 --> 00:23:25,067
AFTER WE HAD THE FIRST

1099
00:23:25,067 --> 00:23:27,067
INCIDENT, AFTER I SLAMMED HIM--

1100
00:23:27,067 --> 00:23:27,900
YOU KNOW WHAT I'M SAYING--

1101
00:23:27,900 --> 00:23:28,600
IN THE BUSHES.

1102
00:23:28,600 --> 00:23:29,633
YOU SLAMMED ME OR EVERYBODY

1103
00:23:29,633 --> 00:23:30,567
FELL IN THE BUSHES

1104
00:23:30,567 --> 00:23:31,433
WITH THE SECURITY?

1105
00:23:31,433 --> 00:23:34,367
COME ON.

1106
00:23:34,367 --> 00:23:35,533
LET'S GET IT RIGHT, CUZ.

1107
00:23:35,533 --> 00:23:36,667
SO WHATEVER, YOU KNOW,

1108
00:23:36,667 --> 00:23:37,533
AFTER THE SECOND GO AROUND--

1109
00:23:37,533 --> 00:23:38,833
WASN'T YOU WOBBLING?

1110
00:23:38,833 --> 00:23:39,600
YEAH, YEAH, I'MA TELL YOU

1111
00:23:39,600 --> 00:23:40,267
WHY I WAS WOBBLING.

1112
00:23:40,267 --> 00:23:40,933
I'MA TELL YOU

1113
00:23:40,933 --> 00:23:41,600
WHY I WAS WOBBLING.

1114
00:23:41,600 --> 00:23:42,267
ONE HITTER QUITTER.

1115
00:23:42,267 --> 00:23:42,933
THAT'S WHY.

1116
00:23:42,933 --> 00:23:43,867
NO, NO,

1117
00:23:43,867 --> 00:23:44,700
IT WAS THE BACK OF THE HEAD.

1118
00:23:44,700 --> 00:23:45,933
[bleep], THERE WASN'T NO

1119
00:23:45,933 --> 00:23:46,867
HANDS PUT ON ME.

1120
00:23:46,867 --> 00:23:47,700
WOW.

1121
00:23:47,700 --> 00:23:49,100
CAN WE JUST RUN THAT BACK

1122
00:23:49,100 --> 00:23:51,200
FROM THE DOWN CUT?

1123
00:23:51,200 --> 00:23:51,967
NOT THE UPPERCUT,

1124
00:23:51,967 --> 00:23:52,700
BUT THE DOWN CUT.

1125
00:23:52,700 --> 00:23:53,733
YOU FEEL ME?

1126
00:23:53,733 --> 00:23:54,700
CAN WE EDIT THIS [bleep]

1127
00:23:54,700 --> 00:23:55,367
THE RIGHT WAY?

1128
00:23:55,367 --> 00:23:56,533
OH, YEAH, EDIT THIS [bleep]

1129
00:23:56,533 --> 00:23:57,533
THE RIGHT WAY.

1130
00:23:57,533 --> 00:23:58,867
'CAUSE WE CAN HONESTLY, WE

1131
00:23:58,867 --> 00:23:59,700
DIDN'T EVEN SEE YOUR BOY GET--

1132
00:23:59,700 --> 00:24:01,267
GET IT GOOD.

1133
00:24:01,267 --> 00:24:02,433
SIT DOWN.

1134
00:24:02,433 --> 00:24:04,600
YOU'RE GONNA SIT DOWN.

1135
00:24:04,600 --> 00:24:06,567
WE'RE GONNA SIT DOWN.

1136
00:24:06,567 --> 00:24:09,767
[all talking at once]

1137
00:24:09,767 --> 00:24:10,767
I DID WHAT I DID.

1138
00:24:10,767 --> 00:24:12,067
IF A [bleep] GONNA PUT ME

1139
00:24:12,067 --> 00:24:13,767
AND THIS [bleep] PUT ME ANYWHERE

1140
00:24:13,767 --> 00:24:15,067
IN THE MIDDLE ANYWHERE,

1141
00:24:15,067 --> 00:24:15,767
I WOULD DO IT AGAIN.

1142
00:24:15,767 --> 00:24:16,733
[bleep] I AIN'T--MAN,

1143
00:24:16,733 --> 00:24:18,100
I AIN'T SCARED OF [bleep].

1144
00:24:18,100 --> 00:24:18,767
REAL TALK.

1145
00:24:18,767 --> 00:24:19,567
SO SCRAPPY,

1146
00:24:19,567 --> 00:24:20,433
WE'VE HEARD FROM YOU.

1147
00:24:20,433 --> 00:24:21,867
WE'RE VERY CLEAR.

1148
00:24:21,867 --> 00:24:23,800
ERICA WASN'T THE ONLY PERSON

1149
00:24:23,800 --> 00:24:24,967
WHO WANTED TO SEE SCRAPPY

1150
00:24:24,967 --> 00:24:26,333
HANDLE STEVIE.

1151
00:24:26,333 --> 00:24:28,567
AS WE'VE ALREADY HEARD HER SAY,

1152
00:24:28,567 --> 00:24:30,267
"DON'T MESS WITH MY BABIES."

1153
00:24:30,267 --> 00:24:32,433
PLEASE WELCOME MOMMA DEE.

1154
00:24:32,433 --> 00:24:35,433
[cheers and applause]

1155
00:24:39,700 --> 00:24:42,500
SO MOMMA DEE, SEEING EVERYTHING

1156
00:24:42,500 --> 00:24:43,733
THAT'S JUST SPIRALED AND

1157
00:24:43,733 --> 00:24:44,767
TRANSPIRED ON THE STAGE AND

1158
00:24:44,767 --> 00:24:46,867
LOOKING BACK, WAS IT WORTH IT

1159
00:24:46,867 --> 00:24:48,233
TO YOU TO TELL SCRAPPY

1160
00:24:48,233 --> 00:24:50,200
TO GO HANDLE STEVIE?

1161
00:24:50,200 --> 00:24:50,900
WHAT HAPPENED IN THAT

1162
00:24:50,900 --> 00:24:52,367
SITUATION--I WASN'T THERE.

1163
00:24:52,367 --> 00:24:53,700
AND I DIDN'T SEE IT.

1164
00:24:53,700 --> 00:24:55,200
SO AND IT ESCALATED,

1165
00:24:55,200 --> 00:24:57,067
UNFORTUNATELY, OUT OF CONTROL.

1166
00:24:57,067 --> 00:24:58,500
BUT WHEN YOU'RE THE QUEEN,

1167
00:24:58,500 --> 00:25:00,733
AND YOU HAVE THE PRINCE, AND

1168
00:25:00,733 --> 00:25:03,067
THE THRONE HAS BEEN VIOLATED--

1169
00:25:03,067 --> 00:25:04,067
I JUST CAN'T LET PEOPLE

1170
00:25:04,067 --> 00:25:04,800
COME UP IN THE CASTLE

1171
00:25:04,800 --> 00:25:06,067
AND JUST RUN IT.

1172
00:25:06,067 --> 00:25:06,767
YOU KNOW WHAT I'M SAYING?

1173
00:25:06,767 --> 00:25:07,667
EVERYTHING GOT TO BE IN DECENCY

1174
00:25:07,667 --> 00:25:08,767
AND ORDER.

1175
00:25:08,767 --> 00:25:10,367
IT'S GOT TO BE IN THAT ORDER.

1176
00:25:10,367 --> 00:25:11,767
[laughter]

1177
00:25:11,767 --> 00:25:14,400
THE KING HAVE TO MAINTAIN SOME

1178
00:25:14,400 --> 00:25:15,933
TYPE OF DIGNITY AND RESPECT

1179
00:25:15,933 --> 00:25:17,833
AND SOME TYPE OF CONTROL.

1180
00:25:17,833 --> 00:25:18,833
ALL RIGHT, YOU CAN ALWAYS

1181
00:25:18,833 --> 00:25:20,800
TRUST MOMMA DEE TO MAKE THE

1182
00:25:20,800 --> 00:25:21,700
ENERGY RIGHT IN A ROOM,

1183
00:25:21,700 --> 00:25:22,867
AND I THANK YOU FOR THAT

1184
00:25:22,867 --> 00:25:23,833
'CAUSE IT WAS VERY, YOU KNOW,

1185
00:25:23,833 --> 00:25:25,733
TESTY UP HERE FOR A MINUTE.

1186
00:25:25,733 --> 00:25:26,567
BUT LET'S JUST GO STRAIGHT TO A

1187
00:25:26,567 --> 00:25:27,767
FAN QUESTION.

1188
00:25:27,767 --> 00:25:30,100
GREEN M. FROM FACEBOOK SAYS,

1189
00:25:30,100 --> 00:25:31,767
"SCRAPPY IS ON PROBATION.

1190
00:25:31,767 --> 00:25:32,767
DID HE HEAR ANYTHING

1191
00:25:32,767 --> 00:25:33,933
FROM HIS PROBATION OFFICER

1192
00:25:33,933 --> 00:25:35,700
AFTER THE INCIDENT AIRED?"

1193
00:25:35,700 --> 00:25:36,700
SCRAPPY?

1194
00:25:36,700 --> 00:25:38,367
[laughter]

1195
00:25:38,367 --> 00:25:39,067
UH-OH.

1196
00:25:39,067 --> 00:25:40,867
[both talking at once]

1197
00:25:40,867 --> 00:25:41,867
THEY GETTING ALL IN YOUR

1198
00:25:41,867 --> 00:25:42,867
BUSINESS ON FACEBOOK.

1199
00:25:42,867 --> 00:25:44,500
SHE PROBABLY GONNA CALL NOW.

1200
00:25:44,500 --> 00:25:45,133
YOU FEEL ME?

1201
00:25:45,133 --> 00:25:47,067
[laughter]

1202
00:25:47,067 --> 00:25:48,267
ALL RIGHT, WE'VE GOT

1203
00:25:48,267 --> 00:25:49,700
A LOT MORE LOVE and HIP-HOP

1204
00:25:49,700 --> 00:25:50,700
AFTER THE BREAK.

1205
00:25:50,700 --> 00:25:51,500
STAY TUNED.

1206
00:25:51,500 --> 00:25:52,167
DON'T GO ANYWHERE.

1207
00:25:52,167 --> 00:25:57,067
[cheers and applause]

1208
00:25:57,067 --> 00:25:58,133
YOUR [bleep] IS WHAT I WANT,

1209
00:25:58,133 --> 00:25:59,367
AND YOUR MONEY, SO GET TO WORK.

1210
00:25:59,367 --> 00:26:00,267
OH, GOD.

1211
00:26:00,267 --> 00:26:01,300
OKAY.

1212
00:26:01,300 --> 00:26:01,967
WOW.

1213
00:26:01,967 --> 00:26:02,767
ALL RIGHT.

1214
00:26:02,767 --> 00:26:04,767
WOW.

1215
00:26:10,533 --> 00:26:11,500
YOU'RE TUNED IN

1216
00:26:11,500 --> 00:26:12,733
TO LOVE and HIP-HOP: ATLANTA:

1217
00:26:12,733 --> 00:26:14,067
THE REUNION.

1218
00:26:14,067 --> 00:26:15,600
I'M JOINED NOW BY JOSELINE,

1219
00:26:15,600 --> 00:26:17,533
STEVIE, MIMI, AND ARIANE.

1220
00:26:17,533 --> 00:26:19,500
AS THE SAYING GOES, TRUTH IS

1221
00:26:19,500 --> 00:26:21,200
STRANGER THAN FICTION.

1222
00:26:21,200 --> 00:26:22,300
AND NOWHERE WAS THAT MORE

1223
00:26:22,300 --> 00:26:23,900
EVIDENT THAN DURING THIS SEASON

1224
00:26:23,900 --> 00:26:25,367
IN ATLANTA.

1225
00:26:25,367 --> 00:26:26,667
THE MOST RIVETING DRAMA WAS

1226
00:26:26,667 --> 00:26:28,667
UNDOUBTEDLY THE LOVE TRIANGLE

1227
00:26:28,667 --> 00:26:30,500
BETWEEN STEVIE, MIMI,

1228
00:26:30,500 --> 00:26:31,700
AND JOSELINE.

1229
00:26:31,700 --> 00:26:33,200
BUT BEFORE WE DELVE INTO THAT

1230
00:26:33,200 --> 00:26:34,933
LITTLE MENAGE, LET'S TAKE A LOOK

1231
00:26:34,933 --> 00:26:36,867
BACK AT STEVIE AND MIMI

1232
00:26:36,867 --> 00:26:40,700
THIS SEASON.

1233
00:26:40,700 --> 00:26:43,100
AND HOME IS WHAT?

1234
00:26:43,100 --> 00:26:44,067
WHERE THE HEART IS.

1235
00:26:44,067 --> 00:26:48,200
[laughter]

1236
00:26:48,200 --> 00:26:50,067
♪ GIRL, I HOPE AND PRAY

1237
00:26:50,067 --> 00:26:53,533
♪ THAT LOVE TREATS YOU FAIR

1238
00:26:53,533 --> 00:26:56,700
[audience groaning and clapping]

1239
00:26:56,700 --> 00:26:57,533
THE TRUTH IS,

1240
00:26:57,533 --> 00:26:58,767
I LOVE THIS MAN.

1241
00:26:58,767 --> 00:27:00,200
BUT SOMEHOW THERE'S A DIFFERENCE

1242
00:27:00,200 --> 00:27:02,067
BETWEEN WHAT STEVIE SAYS

1243
00:27:02,067 --> 00:27:05,367
AND WHAT STEVIE DOES.

1244
00:27:05,367 --> 00:27:06,767
IF YOU WALK THE [bleep] OUT OF

1245
00:27:06,767 --> 00:27:07,767
HERE AND GET IN THAT CAR WITH

1246
00:27:07,767 --> 00:27:10,067
THAT BITCH AND GO TO THE STUDIO,

1247
00:27:10,067 --> 00:27:11,100
YOU'RE SHOWING ME WHAT THE

1248
00:27:11,100 --> 00:27:13,700
[bleep] YOU'RE DOING.

1249
00:27:13,700 --> 00:27:15,067
I'M HURT.

1250
00:27:15,067 --> 00:27:17,200
I'M PISSED OFF.

1251
00:27:17,200 --> 00:27:18,533
I'M EMBARRASSED.

1252
00:27:18,533 --> 00:27:19,267
I DON'T WANT TO DO [bleep]

1253
00:27:19,267 --> 00:27:21,533
WITH YOU MOVING [bleep] FORWARD

1254
00:27:21,533 --> 00:27:22,967
WITH YOU [bleep] THIS BITCH AND

1255
00:27:22,967 --> 00:27:24,200
YOU STILL CARRYING ON

1256
00:27:24,200 --> 00:27:24,967
WITH THIS BITCH.

1257
00:27:24,967 --> 00:27:26,067
WHAT ARE YOU DOING WITH THAT?

1258
00:27:26,067 --> 00:27:26,933
IT IS HIS BABY.

1259
00:27:26,933 --> 00:27:27,867
GOOD LUCK WITH YOUR BABY.

1260
00:27:27,867 --> 00:27:28,867
GET YOUR HAND OUT OF MY FACE.

1261
00:27:28,867 --> 00:27:29,633
BOTH OF Y'ALL

1262
00:27:29,633 --> 00:27:31,867
HAVE [bleep] FUN.

1263
00:27:31,867 --> 00:27:32,867
HE DOESN'T HAVE A REASON TO

1264
00:27:32,867 --> 00:27:34,067
FIGHT FOR YOU BECAUSE YOU GIVE

1265
00:27:34,067 --> 00:27:36,200
HIM EVERYTHING.

1266
00:27:36,200 --> 00:27:37,967
I HAVE HAD IT WITH STEVIE.

1267
00:27:37,967 --> 00:27:39,267
HE HAS PROVEN HE CAN'T BE

1268
00:27:39,267 --> 00:27:42,867
FAITHFUL, SO I'M MOVING ON.

1269
00:27:42,867 --> 00:27:44,367
YOU HURT ME

1270
00:27:44,367 --> 00:27:46,867
TO THE CORE.

1271
00:27:49,367 --> 00:27:50,067
STEVIE,

1272
00:27:50,067 --> 00:27:51,167
HOW'D YOU FEEL DURING THAT SCENE

1273
00:27:51,167 --> 00:27:53,067
HEARING MIMI SAY THOSE WORDS,

1274
00:27:53,067 --> 00:27:55,533
"YOU HURT ME TO THE CORE"?

1275
00:27:55,533 --> 00:27:56,667
IT REALLY TOUCHES ME WHEN I

1276
00:27:56,667 --> 00:27:57,533
FEEL THE HURT FROM HER.

1277
00:27:57,533 --> 00:27:58,500
I DON'T--I DON'T WANT TO SEE

1278
00:27:58,500 --> 00:27:59,200
THAT HURT.

1279
00:27:59,200 --> 00:28:01,067
I DON'T LIKE TO SEE THAT.

1280
00:28:01,067 --> 00:28:01,833
WELL, LET ME ASK YOU, HOW DO

1281
00:28:01,833 --> 00:28:03,133
YOU FEEL RIGHT NOW ABOUT MIMI?

1282
00:28:03,133 --> 00:28:06,600
I LOVE MIMI.

1283
00:28:06,600 --> 00:28:07,267
OKAY.

1284
00:28:07,267 --> 00:28:08,767
ARE YOU IN LOVE WITH MIMI?

1285
00:28:08,767 --> 00:28:09,600
I'M WORKING IT.

1286
00:28:09,600 --> 00:28:10,600
WE WORKING BACK AT THAT.

1287
00:28:10,600 --> 00:28:11,767
YOU KNOW WHAT I'M SAYING?

1288
00:28:11,767 --> 00:28:13,433
OKAY.

1289
00:28:13,433 --> 00:28:15,600
WHY DIDN'T YOU EVER MARRY MIMI?

1290
00:28:15,600 --> 00:28:17,333
I MEAN, I NEVER THOUGHT

1291
00:28:17,333 --> 00:28:18,600
I WAS THE MARRYING TYPE.

1292
00:28:18,600 --> 00:28:20,900
YOU KNOW, ALL MY ANTICS, ALL THE

1293
00:28:20,900 --> 00:28:22,733
WAY--THE TYPE OF DUDE I AM.

1294
00:28:22,733 --> 00:28:23,433
YOU KNOW WHAT I'M SAYING?

1295
00:28:23,433 --> 00:28:24,300
I NEVER EVEN THOUGHT THAT SHE

1296
00:28:24,300 --> 00:28:25,933
WOULD EVER EVEN CONSIDER THAT.

1297
00:28:25,933 --> 00:28:26,933
YOU KNOW WHAT I'M SAYING?

1298
00:28:26,933 --> 00:28:28,133
I DIDN'T.

1299
00:28:28,133 --> 00:28:28,933
OKAY, BUT LET ME SAY THIS.

1300
00:28:28,933 --> 00:28:30,233
YOU DON'T STAY IN A RELATIONSHIP

1301
00:28:30,233 --> 00:28:31,367
FOR 12 YEARS, MIMI, AND NEVER

1302
00:28:31,367 --> 00:28:33,600
THINK ABOUT MARRIAGE.

1303
00:28:33,600 --> 00:28:34,867
WHAT MADE YOU STAY WITH STEVIE

1304
00:28:34,867 --> 00:28:35,800
FOR SO LONG IF YOU NEVER SAW HIM

1305
00:28:35,800 --> 00:28:37,100
AS THE MARRYING TYPE?

1306
00:28:37,100 --> 00:28:38,100
OUR RELATIONSHIP WAS

1307
00:28:38,100 --> 00:28:39,967
ON-AGAIN, OFF-AGAIN.

1308
00:28:39,967 --> 00:28:41,767
BUT WE ALWAYS KEPT IN TOUCH.

1309
00:28:41,767 --> 00:28:43,333
WE ALWAYS STAYED FRIENDS.

1310
00:28:43,333 --> 00:28:44,267
AND WHEN WE WEREN'T IN

1311
00:28:44,267 --> 00:28:45,533
RELATIONSHIPS, WHEN WE HOOKED

1312
00:28:45,533 --> 00:28:47,300
BACK UP, IT WAS LIKE THE FIRST

1313
00:28:47,300 --> 00:28:49,300
TIME ALL OVER AGAIN.

1314
00:28:49,300 --> 00:28:49,967
ALL RIGHT.

1315
00:28:49,967 --> 00:28:51,067
THOSE TIMES THAT YOU AND STEVIE

1316
00:28:51,067 --> 00:28:52,133
GOT BACK TOGETHER,

1317
00:28:52,133 --> 00:28:53,600
IN YOUR HEART, WAS IT

1318
00:28:53,600 --> 00:28:55,133
WITH THE INTENTION OF ONE DAY

1319
00:28:55,133 --> 00:28:56,467
HAVING A FAMILY,

1320
00:28:56,467 --> 00:28:57,933
LIVING HAPPILY EVER AFTER?

1321
00:28:57,933 --> 00:29:00,833
SOMEWHERE WAY...

1322
00:29:00,833 --> 00:29:01,667
BACK.

1323
00:29:01,667 --> 00:29:03,067
SOMEWHERE BACK THERE, BUT THAT

1324
00:29:03,067 --> 00:29:05,167
WASN'T IN THE FOREFRONT, NO.

1325
00:29:05,167 --> 00:29:06,433
'CAUSE WE WEREN'T AT A PLACE--

1326
00:29:06,433 --> 00:29:07,367
I DON'T BELIEVE YOU.

1327
00:29:07,367 --> 00:29:08,267
YOU DON'T?

1328
00:29:08,267 --> 00:29:08,933
NO.

1329
00:29:08,933 --> 00:29:09,600
OKAY.

1330
00:29:09,600 --> 00:29:10,933
YOUR OTHER PEOPLE MIGHT HAVE

1331
00:29:10,933 --> 00:29:12,367
WANTED TO MARRY YOU.

1332
00:29:12,367 --> 00:29:13,433
THAT'S NOT JOSELINE THOUGH.

1333
00:29:13,433 --> 00:29:14,433
I'M NOT TALKING ABOUT YOU.

1334
00:29:14,433 --> 00:29:15,100
OKAY, GOOD.

1335
00:29:15,100 --> 00:29:16,433
HOLD ON, HOLD ON, WAIT.

1336
00:29:16,433 --> 00:29:17,767
YOU WHAT?

1337
00:29:17,767 --> 00:29:20,100
I TAKE YOU FOR YOUR [bleep].

1338
00:29:20,100 --> 00:29:21,167
YOUR [bleep] IS WHAT I WANT

1339
00:29:21,167 --> 00:29:22,567
AND YOUR MONEY, SO GET TO WORK.

1340
00:29:22,567 --> 00:29:23,267
OH, GOD.

1341
00:29:23,267 --> 00:29:24,433
OKAY.

1342
00:29:24,433 --> 00:29:25,100
WOW.

1343
00:29:25,100 --> 00:29:25,933
ALL RIGHT.

1344
00:29:25,933 --> 00:29:27,633
WOW.

1345
00:29:27,633 --> 00:29:29,267
["Oohing and applause]

1346
00:29:29,267 --> 00:29:30,433
SEEING THE WAY THAT HE TREATS

1347
00:29:30,433 --> 00:29:31,567
MIMI, WHAT DO YOU THINK

1348
00:29:31,567 --> 00:29:32,233
ABOUT THAT?

1349
00:29:32,233 --> 00:29:32,900
MONA, LET ME EXPLAIN

1350
00:29:32,900 --> 00:29:33,567
SOMETHING TO YOU.

1351
00:29:33,567 --> 00:29:34,233
OKAY.

1352
00:29:34,233 --> 00:29:34,933
I DON'T HAVE A PROBLEM

1353
00:29:34,933 --> 00:29:35,600
WITH MIMI.

1354
00:29:35,600 --> 00:29:36,267
I LOVE MIMI.

1355
00:29:36,267 --> 00:29:36,933
I RESPECT MIMI.

1356
00:29:36,933 --> 00:29:37,667
AND I'MA ALWAYS RESPECT--

1357
00:29:37,667 --> 00:29:39,700
[bleep] WHAT Y'ALL SAYING.

1358
00:29:39,700 --> 00:29:40,767
[bleep] Y'ALL SAY.

1359
00:29:40,767 --> 00:29:41,767
AND I DON'T GIVE A [bleep]

1360
00:29:41,767 --> 00:29:42,433
WHAT Y'ALL SAY.

1361
00:29:42,433 --> 00:29:43,100
[all talking at once]

1362
00:29:43,100 --> 00:29:44,600
WHY DO YOU SAY YOU LOVE MIMI?

1363
00:29:44,600 --> 00:29:46,100
BECAUSE I'M NOT GONNA--

1364
00:29:46,100 --> 00:29:46,833
BECAUSE I GOT TO LOVE HER

1365
00:29:46,833 --> 00:29:48,067
BECAUSE I LOVE HIM.

1366
00:29:48,067 --> 00:29:49,833
AND I LOVE HIM NOT--

1367
00:29:49,833 --> 00:29:50,600
IT'S NOT ABOUT SEX.

1368
00:29:50,600 --> 00:29:51,433
IT'S NOT ABOUT ANYTHING.

1369
00:29:51,433 --> 00:29:52,400
HE GAVE ME A CAREER.

1370
00:29:52,400 --> 00:29:53,167
AND I TRUST HIM,

1371
00:29:53,167 --> 00:29:54,433
AND I BELIEVE IN HIM.

1372
00:29:54,433 --> 00:29:55,567
THE DIFFERENCE BETWEEN ME AND

1373
00:29:55,567 --> 00:29:57,267
MIMI IS THAT I JUST BE LIKE,

1374
00:29:57,267 --> 00:29:57,933
"YOU KNOW WHAT?

1375
00:29:57,933 --> 00:29:59,267
I'LL CURSE YOUR ASS OUT.

1376
00:29:59,267 --> 00:30:00,767
I'LL PUNCH YOU IN YOUR [bleep].

1377
00:30:00,767 --> 00:30:01,933
AND I'LL STILL BE COOL WITH YOU.

1378
00:30:01,933 --> 00:30:03,200
LET'S GET MONEY."

1379
00:30:03,200 --> 00:30:04,100
YOU DON'T THINK I CURSE HIM

1380
00:30:04,100 --> 00:30:05,500
OUT AND PUNCH HIS [bleep]?

1381
00:30:05,500 --> 00:30:06,367
BUT ALL I'M SAYING IS--

1382
00:30:06,367 --> 00:30:07,500
OKAY, BUT THAT'S NOT GOOD

1383
00:30:07,500 --> 00:30:08,533
CONFLICT RESOLUTION.

1384
00:30:08,533 --> 00:30:09,367
IT'S NOT.

1385
00:30:09,367 --> 00:30:10,500
AT THE END OF THE DAY,

1386
00:30:10,500 --> 00:30:12,067
IT'S ALL ABOUT HAVING MORALS.

1387
00:30:12,067 --> 00:30:13,033
STEVIE J. DOES NOT--

1388
00:30:13,033 --> 00:30:13,700
DON'T--YO,

1389
00:30:13,700 --> 00:30:14,367
YOU DON'T KNOW STEVIE J.

1390
00:30:14,367 --> 00:30:15,067
STEVIE, SHUT UP.

1391
00:30:15,067 --> 00:30:16,100
YO, YOU SHUT UP.

1392
00:30:16,100 --> 00:30:16,867
ABSOLUTELY.

1393
00:30:16,867 --> 00:30:18,000
[all talking at once]

1394
00:30:18,000 --> 00:30:18,933
STEVIE HAS NOT EVER

1395
00:30:18,933 --> 00:30:20,133
HAD NO MORALS, CLEARLY.

1396
00:30:20,133 --> 00:30:21,800
[audience chatters indistinctly]

1397
00:30:21,800 --> 00:30:23,700
STEVIE, WHERE YOU GOING?

1398
00:30:23,700 --> 00:30:24,533
WHAT JUST HAPPENED?

1399
00:30:24,533 --> 00:30:25,200
I'LL SIT RIGHT HERE.

1400
00:30:25,200 --> 00:30:26,033
AND END.

1401
00:30:26,033 --> 00:30:26,700
IT'S COOL.

1402
00:30:26,700 --> 00:30:28,033
I'M NOT WORRYING ABOUT STEVIE J.

1403
00:30:28,033 --> 00:30:28,867
'CAUSE HE AIN'T GONNA

1404
00:30:28,867 --> 00:30:29,533
NEVER BE [bleep].

1405
00:30:29,533 --> 00:30:30,367
THAT'S JUST HOW HE GONNA BE.

1406
00:30:30,367 --> 00:30:31,533
SO LET'S STOP FOR A MINUTE.

1407
00:30:31,533 --> 00:30:32,200
LET'S STOP--

1408
00:30:32,200 --> 00:30:32,900
YOU HEAR THIS BROAD

1409
00:30:32,900 --> 00:30:33,567
RIGHT HERE?

1410
00:30:33,567 --> 00:30:34,367
STEVIE, I WANT TO HEAR FROM

1411
00:30:34,367 --> 00:30:35,033
YOU A LITTLE BIT.

1412
00:30:35,033 --> 00:30:35,700
YEAH, PLEASE.

1413
00:30:35,700 --> 00:30:36,367
YOU LADIES

1414
00:30:36,367 --> 00:30:37,033
GOT TO LET STEVIE TALK.

1415
00:30:37,033 --> 00:30:37,700
LISTEN.

1416
00:30:37,700 --> 00:30:38,400
AS FAR AS I GO,

1417
00:30:38,400 --> 00:30:39,200
YOU KNOW WHAT I'M SAYING?

1418
00:30:39,200 --> 00:30:40,267
I LOVE MIMI.

1419
00:30:40,267 --> 00:30:41,867
MIMI'S BEEN IN MY LIFE FOREVER,

1420
00:30:41,867 --> 00:30:44,533
UPS, DOWNS, INDIFFERENCE.

1421
00:30:44,533 --> 00:30:45,333
WE HAD A BEAUTIFUL

1422
00:30:45,333 --> 00:30:46,300
DAUGHTER TOGETHER.

1423
00:30:46,300 --> 00:30:46,967
WE GOOD.

1424
00:30:46,967 --> 00:30:47,967
YOU KNOW WHAT I'M SAYING?

1425
00:30:47,967 --> 00:30:49,100
JOSELINE, WE WORK TOGETHER.

1426
00:30:49,100 --> 00:30:50,367
WE HAVE SOMETHING SPECIAL.

1427
00:30:50,367 --> 00:30:52,133
WE WENT THROUGH A COUPLE OF UPS

1428
00:30:52,133 --> 00:30:52,833
AND DOWNS, AND THEN

1429
00:30:52,833 --> 00:30:54,033
WITH THIS ONE RIGHT HERE--

1430
00:30:54,033 --> 00:30:54,867
YOU KNOW WHAT I'M SAYING--

1431
00:30:54,867 --> 00:30:56,533
IT'S JUST LIKE, MAD HATE.

1432
00:30:56,533 --> 00:30:58,367
WHO?

1433
00:30:58,367 --> 00:31:00,367
OWLS? OWLS?

1434
00:31:00,367 --> 00:31:01,100
HEY, KNOW WHAT, STEVIE?

1435
00:31:01,100 --> 00:31:02,300
THIS IS MY FRIEND.

1436
00:31:02,300 --> 00:31:04,100
AND SHE NEEDED A SUPPORT SYSTEM.

1437
00:31:04,100 --> 00:31:04,767
YOU WEREN'T THERE

1438
00:31:04,767 --> 00:31:05,500
TO SUPPORT HER.

1439
00:31:05,500 --> 00:31:06,367
I'M ALWAYS THERE TO SUPPORT--

1440
00:31:06,367 --> 00:31:08,067
NO, YOU WEREN'T.

1441
00:31:08,067 --> 00:31:09,200
SO DON'T DO THAT.

1442
00:31:09,200 --> 00:31:10,200
DON'T GO THERE.

1443
00:31:10,200 --> 00:31:11,067
DON'T DO THAT.

1444
00:31:11,067 --> 00:31:11,867
NO, YOU WEREN'T.

1445
00:31:11,867 --> 00:31:12,600
OKAY.

1446
00:31:12,600 --> 00:31:13,267
'CAUSE IF YOU REALLY

1447
00:31:13,267 --> 00:31:13,933
CARED ABOUT HER,

1448
00:31:13,933 --> 00:31:14,667
YOU WOULD HAVE BEEN THERE.

1449
00:31:14,667 --> 00:31:15,533
AND THEN SHE WOULD HAVE KNOWN

1450
00:31:15,533 --> 00:31:16,200
ABOUT JOSELINE

1451
00:31:16,200 --> 00:31:16,867
AND ALL THAT [bleep].

1452
00:31:16,867 --> 00:31:17,767
DON'T [bleep] GO THERE, STEVIE.

1453
00:31:17,767 --> 00:31:18,500
DON'T GO THERE.

1454
00:31:18,500 --> 00:31:19,300
YOU JUST STARTED POPPING UP.

1455
00:31:19,300 --> 00:31:20,067
YOU IN AND OUT, SO DON'T ACT

1456
00:31:20,067 --> 00:31:20,733
LIKE YOU BEEN THERE.

1457
00:31:20,733 --> 00:31:21,400
I DIDN'T JUST

1458
00:31:21,400 --> 00:31:22,067
START POPPING UP.

1459
00:31:22,067 --> 00:31:22,733
YOU AIN'T BEEN THERE

1460
00:31:22,733 --> 00:31:23,400
LIKE THAT.

1461
00:31:23,400 --> 00:31:24,233
NO, YOU STARTED POPPING UP.

1462
00:31:24,233 --> 00:31:24,900
OH, YEAH?

1463
00:31:24,900 --> 00:31:25,567
REALLY?

1464
00:31:25,567 --> 00:31:26,233
I BEEN THERE.

1465
00:31:26,233 --> 00:31:26,900
YEAH, WHEN?

1466
00:31:26,900 --> 00:31:27,567
ARIANE?

1467
00:31:27,567 --> 00:31:28,367
ARIANE, LET'S GET THIS THING

1468
00:31:28,367 --> 00:31:29,700
BACK ON TRACK.

1469
00:31:29,700 --> 00:31:30,967
ALL RIGHT, MIMI, YOU'VE BEEN

1470
00:31:30,967 --> 00:31:32,367
ACCUSED OF BEING WEAK AND

1471
00:31:32,367 --> 00:31:33,400
PLAYING THE VICTIM.

1472
00:31:33,400 --> 00:31:34,933
NEVER BEEN A VICTIM.

1473
00:31:34,933 --> 00:31:36,367
NEVER HAVE, NEVER WILL.

1474
00:31:36,367 --> 00:31:37,600
BUT LOOKING BACK, MIMI, ARE

1475
00:31:37,600 --> 00:31:39,833
YOU EMBARRASSED THAT YOU STAYED,

1476
00:31:39,833 --> 00:31:40,700
ASHAMED THAT YOU STAYED?

1477
00:31:40,700 --> 00:31:41,733
I'M NOT EMBARRASSED OR

1478
00:31:41,733 --> 00:31:43,500
ASHAMED ABOUT ANYTHING.

1479
00:31:43,500 --> 00:31:44,700
THIS IS WHAT IT IS.

1480
00:31:44,700 --> 00:31:45,833
THIS IS MY LIFE.

1481
00:31:45,833 --> 00:31:46,700
Y'ALL GOT YOUR OPINIONS.

1482
00:31:46,700 --> 00:31:48,700
YOU'RE ENTITLED TO IT.

1483
00:31:48,700 --> 00:31:49,367
BUT THIS IS

1484
00:31:49,367 --> 00:31:50,067
WHAT I'M GOING THROUGH.

1485
00:31:50,067 --> 00:31:52,200
DON'T [bleep] JUDGE ME.

1486
00:31:52,200 --> 00:31:53,067
OKAY.

1487
00:31:53,067 --> 00:31:54,067
PERIOD.

1488
00:31:54,067 --> 00:31:55,067
I HEAR YOU.

1489
00:31:55,067 --> 00:31:57,200
[applause]

1490
00:31:57,200 --> 00:31:58,600
WHAT ABOUT THE CODE, STEVIE?

1491
00:31:58,600 --> 00:32:00,467
I MEAN, WHAT IS--ISN'T THERE

1492
00:32:00,467 --> 00:32:01,967
SOME THINKING THAT IF YOU'RE

1493
00:32:01,967 --> 00:32:04,167
GONNA DO THE DIRT, AT LEAST HAVE

1494
00:32:04,167 --> 00:32:06,100
THE RESPECT TO NOT FLAUNT IT IN

1495
00:32:06,100 --> 00:32:08,167
YOUR WOMAN'S FACE?

1496
00:32:08,167 --> 00:32:09,333
I WASN'T FLAUNTING IT IN HER

1497
00:32:09,333 --> 00:32:10,267
FACE.

1498
00:32:10,267 --> 00:32:10,967
YOU KNOW WHAT I'M SAYING?

1499
00:32:10,967 --> 00:32:11,667
HE LIED.

1500
00:32:11,667 --> 00:32:12,500
I LIED.

1501
00:32:12,500 --> 00:32:14,067
ALL THE TIME.

1502
00:32:14,067 --> 00:32:15,133
WHAT ABOUT THE WHOLE IDEA OF

1503
00:32:15,133 --> 00:32:17,300
RESPECT FOR THE BABY MAMA?

1504
00:32:17,300 --> 00:32:18,867
I DO HAVE RESPECT FOR HER.

1505
00:32:18,867 --> 00:32:20,500
SHE KNOWS I LOVE HER.

1506
00:32:20,500 --> 00:32:21,867
AND SHE KNOWS I RESPECT HER.

1507
00:32:21,867 --> 00:32:23,133
YOU KNOW, IT JUST DON'T HELP

1508
00:32:23,133 --> 00:32:24,200
WHEN YOU GOT THE PEANUT GALLERY

1509
00:32:24,200 --> 00:32:25,200
IN HER EAR.

1510
00:32:25,200 --> 00:32:25,900
YOU KNOW WHAT I'M SAYING?

1511
00:32:25,900 --> 00:32:27,100
"OH, THIS IS--YOU'RE THE VICTIM.

1512
00:32:27,100 --> 00:32:30,067
AND THIS IS"--

1513
00:32:30,067 --> 00:32:30,867
WHO MAKES THAT FACE?

1514
00:32:30,867 --> 00:32:32,500
NOBODY MAKES THAT FACE BUT YOU.

1515
00:32:32,500 --> 00:32:34,133
SO MIMI, SOME FANS BELIEVE

1516
00:32:34,133 --> 00:32:35,567
THAT YOU STAYED WITH STEVIE

1517
00:32:35,567 --> 00:32:36,400
BECAUSE OF THE LIFESTYLE,

1518
00:32:36,400 --> 00:32:37,700
BECAUSE OF HIS MONEY.

1519
00:32:37,700 --> 00:32:38,533
IS THAT WHY YOU STAYED WITH

1520
00:32:38,533 --> 00:32:39,200
STEVIE--

1521
00:32:39,200 --> 00:32:40,400
EXCUSE ME, MONA, I'VE BEEN

1522
00:32:40,400 --> 00:32:43,067
SELF-SUFFICIENT ALL MY LIFE.

1523
00:32:43,067 --> 00:32:43,700
OKAY.

1524
00:32:43,700 --> 00:32:44,533
OKAY?

1525
00:32:44,533 --> 00:32:45,700
GET IT RIGHT.

1526
00:32:45,700 --> 00:32:47,233
ALL Y'ALL ON TWITTER AND

1527
00:32:47,233 --> 00:32:48,533
EVERYTHING ELSE

1528
00:32:48,533 --> 00:32:50,200
WANTING TO [bleep] JUDGE ME,

1529
00:32:50,200 --> 00:32:51,500
THINKING I'M USING THIS MAN FOR

1530
00:32:51,500 --> 00:32:52,800
HIS [bleep] MONEY.

1531
00:32:52,800 --> 00:32:54,067
NEVER BEEN THE CASE.

1532
00:32:54,067 --> 00:32:57,067
SELF-SUFFICIENT MADE [bleep]

1533
00:32:57,067 --> 00:32:57,867
ALL MY LIFE.

1534
00:32:57,867 --> 00:32:58,633
SELF-SUFFICIENT.

1535
00:32:58,633 --> 00:32:59,867
[applause]

1536
00:32:59,867 --> 00:33:01,067
SO JOSELINE, WOULD YOU SAY

1537
00:33:01,067 --> 00:33:03,433
STEVIE IS YOUR SOUL MATE?

1538
00:33:03,433 --> 00:33:04,467
I DON'T KNOW, 'CAUSE

1539
00:33:04,467 --> 00:33:06,533
STEVIE'S--STEVIE'S CRAZY.

1540
00:33:06,533 --> 00:33:08,067
STEVIE DO WHAT HE WANTS TO DO.

1541
00:33:08,067 --> 00:33:08,867
AND I'M DOWN WITH IT.

1542
00:33:08,867 --> 00:33:09,533
WHATEVER HE WANT TO DO,

1543
00:33:09,533 --> 00:33:10,300
I'M DOWN WITH IT.

1544
00:33:10,300 --> 00:33:10,967
LIKE RIGHT HERE.

1545
00:33:10,967 --> 00:33:11,867
I LOOK AT MY HAND,

1546
00:33:11,867 --> 00:33:13,067
THIS IS HOW I LOOK AT STEVIE.

1547
00:33:13,067 --> 00:33:13,767
I KNOW HIM.

1548
00:33:13,767 --> 00:33:14,700
I KNOW WHAT HE NEEDS.

1549
00:33:14,700 --> 00:33:15,867
I KNOW WHAT HE DON'T LIKE.

1550
00:33:15,867 --> 00:33:16,733
I KNOW WHAT HE LIKES.

1551
00:33:16,733 --> 00:33:17,700
I KNOW WHAT MOVES HIM.

1552
00:33:17,700 --> 00:33:19,067
I KNOW WHAT DON'T MOVE HIM.

1553
00:33:19,067 --> 00:33:20,667
I KNOW HOW HE LIKES TO HAVE SEX.

1554
00:33:20,667 --> 00:33:21,800
YOU SEEM TO HAVE SUCH A GOOD

1555
00:33:21,800 --> 00:33:22,733
HANDLE ON IT.

1556
00:33:22,733 --> 00:33:23,833
WHAT ADVICE WOULD YOU HAVE FOR

1557
00:33:23,833 --> 00:33:24,867
MIMI ON HOW TO HANDLE A GUY

1558
00:33:24,867 --> 00:33:25,533
LIKE STEVIE?

1559
00:33:25,533 --> 00:33:26,367
SHE DON'T HAVE TO GIVE ME

1560
00:33:26,367 --> 00:33:27,067
NO ADVICE.

1561
00:33:27,067 --> 00:33:28,367
I'VE KNOWN THIS MAN 15 YEARS.

1562
00:33:28,367 --> 00:33:29,367
SHE CAN'T GIVE ME NO ADVICE ON

1563
00:33:29,367 --> 00:33:30,067
THIS MOTHER[bleep].

1564
00:33:30,067 --> 00:33:30,700
NONE.

1565
00:33:30,700 --> 00:33:31,767
EXACTLY.

1566
00:33:31,767 --> 00:33:32,533
AND YOU KNOW WHAT, MIMI?

1567
00:33:32,533 --> 00:33:33,500
I DON'T WANT TO GIVE YOU NO

1568
00:33:33,500 --> 00:33:34,867
ADVICE, 'CAUSE YOU KNOW WHY?

1569
00:33:34,867 --> 00:33:35,967
YOU GONNA HANDLE HIM LIKE YOU

1570
00:33:35,967 --> 00:33:37,400
GONNA HANDLE HIM,

1571
00:33:37,400 --> 00:33:39,300
AND I'M GONNA HANDLE HIM STRONG

1572
00:33:39,300 --> 00:33:40,600
LIKE I NEED TO HANDLE HIM.

1573
00:33:40,600 --> 00:33:41,367
WE'RE JUST GETTING TO THE

1574
00:33:41,367 --> 00:33:42,067
GOOD PART--

1575
00:33:42,067 --> 00:33:43,167
I WANT THAT MONEY.

1576
00:33:43,167 --> 00:33:44,100
STAY TUNED FOR MORE

1577
00:33:44,100 --> 00:33:44,800
LOVE and HIP-HOP: ATLANTA:

1578
00:33:44,800 --> 00:33:46,533
THE REUNION.

1579
00:33:46,533 --> 00:33:49,367
[cheers and applause]

1580
00:33:49,367 --> 00:33:50,167
ASK HIM THE QUESTION

1581
00:33:50,167 --> 00:33:51,100
ONCE AND FOR ALL.

1582
00:33:51,100 --> 00:33:51,900
AND YOU BETTER

1583
00:33:51,900 --> 00:33:52,767
TELL THE TRUTH.

1584
00:33:52,767 --> 00:33:54,500
DID YOU BELIEVE

1585
00:33:54,500 --> 00:33:56,700
THAT THAT WAS YOUR BABY?

1586
00:34:03,200 --> 00:34:06,200
[hip-hop music]

1587
00:34:06,200 --> 00:34:07,500
IF YOU JUST JOINED US,

1588
00:34:07,500 --> 00:34:09,100
THIS IS LOVE and HIP-HOP: ATLANTA:

1589
00:34:09,100 --> 00:34:10,133
THE REUNION.

1590
00:34:10,133 --> 00:34:11,333
AT THE START OF THE SEASON,

1591
00:34:11,333 --> 00:34:12,633
STEVIE AND JOSELINE KEPT

1592
00:34:12,633 --> 00:34:13,800
INSISTING THAT THEIR

1593
00:34:13,800 --> 00:34:15,267
RELATIONSHIP WAS STRICTLY

1594
00:34:15,267 --> 00:34:16,133
PLATONIC.

1595
00:34:16,133 --> 00:34:17,633
BUT THAT WAS BLOWN RIGHT OFF

1596
00:34:17,633 --> 00:34:19,533
BIG-TIME ONCE JOSELINE GOT

1597
00:34:19,533 --> 00:34:20,700
PREGNANT.

1598
00:34:20,700 --> 00:34:22,267
STEVIE'S REACTION DROVE HER TO

1599
00:34:22,267 --> 00:34:23,767
THE BREAKING POINT.

1600
00:34:23,767 --> 00:34:27,067
TAKE A LOOK.

1601
00:34:27,067 --> 00:34:28,100
NO FAIRY GODMOTHER

1602
00:34:28,100 --> 00:34:31,700
AT THIS POINT.

1603
00:34:31,700 --> 00:34:32,400
KNOW WHAT I'M SAYING?

1604
00:34:32,400 --> 00:34:33,133
WE SHOULDN'T HAVE HAD THIS

1605
00:34:33,133 --> 00:34:35,133
CONVERSATION, PERIOD.

1606
00:34:35,133 --> 00:34:36,333
THAT'S WHAT YOU REALLY, REALLY,

1607
00:34:36,333 --> 00:34:37,800
REALLY THOUGHT?

1608
00:34:37,800 --> 00:34:40,133
YOUR MANAGER?

1609
00:34:40,133 --> 00:34:41,067
YOU BROUGHT THIS TO ME?

1610
00:34:41,067 --> 00:34:42,700
WELL, WHO ELSE AM I SUPPOSED

1611
00:34:42,700 --> 00:34:43,633
TO TAKE IT TO?

1612
00:34:43,633 --> 00:34:44,467
I'M JUST SAYING

1613
00:34:44,467 --> 00:34:45,967
WE GOT WORK TO DO.

1614
00:34:45,967 --> 00:34:47,100
AND YOU'RE SUPPOSED TO HANDLE

1615
00:34:47,100 --> 00:34:49,900
THIS OFF THE RIP.

1616
00:34:49,900 --> 00:34:51,833
WHOSE BABY IS IT?

1617
00:34:51,833 --> 00:34:52,833
I HAVEN'T [bleep] NOBODY

1618
00:34:52,833 --> 00:34:55,300
FOR THE LAST SIX MONTHS BUT YOU.

1619
00:34:55,300 --> 00:34:56,300
I DIDN'T [bleep] NOBODY AND

1620
00:34:56,300 --> 00:34:57,800
GET 'EM PREGNANT; YOU DID.

1621
00:34:57,800 --> 00:34:59,467
I DON'T WANT TO DO THIS ANYMORE.

1622
00:34:59,467 --> 00:35:00,667
I JUST--I DON'T.

1623
00:35:00,667 --> 00:35:01,767
I'M DONE.

1624
00:35:01,767 --> 00:35:02,800
YOU'RE NOT WORRYING ABOUT ME

1625
00:35:02,800 --> 00:35:04,333
TAKING CARE OF MYSELF.

1626
00:35:04,333 --> 00:35:05,067
I AM.

1627
00:35:05,067 --> 00:35:06,600
I COOKED YOU BREAKFAST.

1628
00:35:06,600 --> 00:35:07,500
YOU COOKED ME BREAKFAST

1629
00:35:07,500 --> 00:35:08,400
AND YOU TOOK ME

1630
00:35:08,400 --> 00:35:09,500
TO GET A [bleep] ABORTION.

1631
00:35:09,500 --> 00:35:10,200
THAT'S THE LEAST

1632
00:35:10,200 --> 00:35:10,867
YOU COULD HAVE DONE.

1633
00:35:10,867 --> 00:35:12,067
HAVE YOU EVER REALLY LOVED ME,

1634
00:35:12,067 --> 00:35:13,067
STEVIE?

1635
00:35:13,067 --> 00:35:14,200
I GAVE HIM ALL OF ME.

1636
00:35:14,200 --> 00:35:16,500
I GAVE HIM MY HEART AND MY SOUL.

1637
00:35:16,500 --> 00:35:17,700
ALL HE'S EVER DONE IS BREAK ME

1638
00:35:17,700 --> 00:35:19,367
DOWN AND BREAK MY HEART.

1639
00:35:19,367 --> 00:35:21,367
[groans]

1640
00:35:21,367 --> 00:35:23,867
HEY.

1641
00:35:23,867 --> 00:35:24,700
WOW.

1642
00:35:24,700 --> 00:35:25,967
I REMEMBER EVERYTHING ABOUT THAT

1643
00:35:25,967 --> 00:35:27,200
PREGNANCY CAUGHT US ALL BY

1644
00:35:27,200 --> 00:35:28,167
SURPRISE.

1645
00:35:28,167 --> 00:35:29,967
AND WE JUST HAD TO, YOU KNOW,

1646
00:35:29,967 --> 00:35:31,067
FOLLOW THAT STORY.

1647
00:35:31,067 --> 00:35:32,233
BUT LET ME ASK YOU THIS.

1648
00:35:32,233 --> 00:35:33,767
WHEN YOU ENDED UP TELLING

1649
00:35:33,767 --> 00:35:34,900
STEVIE, DID HIS REACTION

1650
00:35:34,900 --> 00:35:36,433
TAKE YOU BY SURPRISE?

1651
00:35:36,433 --> 00:35:37,800
HELL, NO.

1652
00:35:37,800 --> 00:35:38,800
I KNOW THIS MOTHER[bleep] RIGHT

1653
00:35:38,800 --> 00:35:40,333
HERE, HE GONNA ACT THE SAME WAY

1654
00:35:40,333 --> 00:35:41,300
AT ALL TIMES.

1655
00:35:41,300 --> 00:35:42,633
AND HE'S GONNA BE STEVIE.

1656
00:35:42,633 --> 00:35:43,633
IT WAS MY FAULT.

1657
00:35:43,633 --> 00:35:45,200
I'M THE WOMAN.

1658
00:35:45,200 --> 00:35:46,067
I'M NOT GONNA BLAME IT ON HIM.

1659
00:35:46,067 --> 00:35:46,667
I'M NOT GONNA BLAME IT

1660
00:35:46,667 --> 00:35:47,333
ON NOBODY ELSE.

1661
00:35:47,333 --> 00:35:48,133
BUT IT TAKES TWO PEOPLE TO

1662
00:35:48,133 --> 00:35:48,800
GET PREGNANT.

1663
00:35:48,800 --> 00:35:49,900
MY POINT IS, THE FACT THAT HE

1664
00:35:49,900 --> 00:35:51,633
QUESTIONED WHO THE FATHER WAS.

1665
00:35:51,633 --> 00:35:52,467
I MEAN, DID THAT HURT?

1666
00:35:52,467 --> 00:35:53,433
AT THE TIME, IT HURT,

1667
00:35:53,433 --> 00:35:54,267
BUT I KNOW ONE THING.

1668
00:35:54,267 --> 00:35:55,800
STEVIE, HE DOES EVERYBODY

1669
00:35:55,800 --> 00:35:56,467
LIKE THAT.

1670
00:35:56,467 --> 00:35:57,300
HE DOES HER LIKE THAT.

1671
00:35:57,300 --> 00:35:58,100
SHE'S BEEN AROUND 15 YEARS.

1672
00:35:58,100 --> 00:35:58,933
HE AIN'T DO ME LIKE THAT.

1673
00:35:58,933 --> 00:36:00,067
HE DIDN'T DO ME LIKE THAT.

1674
00:36:00,067 --> 00:36:00,733
LISTEN.

1675
00:36:00,733 --> 00:36:01,400
HE GOT FIVE KIDS.

1676
00:36:01,400 --> 00:36:02,067
WHY YOU WORRIED

1677
00:36:02,067 --> 00:36:02,733
ABOUT MY KIDS?

1678
00:36:02,733 --> 00:36:03,700
HE GOT A 17-YEAR-OLD KID.

1679
00:36:03,700 --> 00:36:05,067
HE GOT A 14-YEAR-OLD.

1680
00:36:05,067 --> 00:36:05,900
YOU JUST HAD A BABY

1681
00:36:05,900 --> 00:36:06,633
TWO YEARS AGO.

1682
00:36:06,633 --> 00:36:07,833
BUT JOSELINE,

1683
00:36:07,833 --> 00:36:10,400
FIRST OF ALL, I'VE KNOWN STEVIE

1684
00:36:10,400 --> 00:36:13,533
FOR 15 YEARS, OKAY?

1685
00:36:13,533 --> 00:36:14,200
BUT YOU SAY--

1686
00:36:14,200 --> 00:36:16,600
STEVIE HAS TEENAGE CHILDREN.

1687
00:36:16,600 --> 00:36:17,800
HE HAD HIS KIDS

1688
00:36:17,800 --> 00:36:19,933
BEFORE WE GOT TOGETHER

1689
00:36:19,933 --> 00:36:21,067
AS A COUPLE.

1690
00:36:21,067 --> 00:36:22,500
LET'S BE CLEAR.

1691
00:36:22,500 --> 00:36:23,400
OKAY, SO LET ME HEAR FROM

1692
00:36:23,400 --> 00:36:24,267
STEVIE REAL QUICK, BECAUSE

1693
00:36:24,267 --> 00:36:25,367
STEVIE, HONESTLY, WATCHING

1694
00:36:25,367 --> 00:36:27,400
YOUR REACTION TO THAT PREGNANCY,

1695
00:36:27,400 --> 00:36:28,867
YOU CAME OFF LIKE A JERK.

1696
00:36:28,867 --> 00:36:29,567
I'M JUST KEEPING IT REAL

1697
00:36:29,567 --> 00:36:30,233
WITH YOU.

1698
00:36:30,233 --> 00:36:30,900
YOU DID.

1699
00:36:30,900 --> 00:36:31,900
WHEN YOU GO BACK AND WATCH

1700
00:36:31,900 --> 00:36:33,067
THAT, IS THERE ANYTHING THAT YOU

1701
00:36:33,067 --> 00:36:34,367
WOULD HAVE DONE DIFFERENTLY?

1702
00:36:34,367 --> 00:36:35,533
YEAH.

1703
00:36:35,533 --> 00:36:36,800
I WOULD HAVE, UM...

1704
00:36:36,800 --> 00:36:38,100
I WOULD HAVE PRETTY MUCH TALKED

1705
00:36:38,100 --> 00:36:39,467
TO HER A LITTLE DIFFERENTLY.

1706
00:36:39,467 --> 00:36:40,800
I WAS ABRASIVE.

1707
00:36:40,800 --> 00:36:41,700
I WAS HARSH.

1708
00:36:41,700 --> 00:36:43,333
YOU KNOW, I DIDN'T TAKE INTO

1709
00:36:43,333 --> 00:36:44,833
CONSIDERATION ANYTHING SHE WAS

1710
00:36:44,833 --> 00:36:45,900
GOING THROUGH AT THE TIME, SO

1711
00:36:45,900 --> 00:36:47,300
YES, I WAS A JERK.

1712
00:36:47,300 --> 00:36:48,567
AND I ADMIT IT.

1713
00:36:48,567 --> 00:36:49,967
OKAY, SO WHEN YOU DENIED

1714
00:36:49,967 --> 00:36:51,067
BEING THE FATHER OR EVEN WHEN

1715
00:36:51,067 --> 00:36:51,967
YOU QUESTIONED WHO THE FATHER

1716
00:36:51,967 --> 00:36:52,900
WAS, WAS THAT BECAUSE YOU KNEW

1717
00:36:52,900 --> 00:36:53,967
THAT YOU HAD BEEN LYING TO US

1718
00:36:53,967 --> 00:36:54,633
ALL ALONG?

1719
00:36:54,633 --> 00:36:56,333
OR WAS IT BECAUSE YOU ACTUALLY

1720
00:36:56,333 --> 00:36:58,100
WERE QUESTIONING IT?

1721
00:36:58,100 --> 00:36:58,900
SHE SAID SHE WAS WITH A BALL

1722
00:36:58,900 --> 00:36:59,633
PLAYER.

1723
00:36:59,633 --> 00:37:00,700
THAT'S WHAT SHE SAID.

1724
00:37:00,700 --> 00:37:01,567
I'M NOT GONNA ARGUE WITH YOU

1725
00:37:01,567 --> 00:37:02,700
ABOUT WHO BABY IT WAS.

1726
00:37:02,700 --> 00:37:04,267
YOU KNOW WHO BABY IT WAS.

1727
00:37:04,267 --> 00:37:05,067
MIMI, YOU KNOW

1728
00:37:05,067 --> 00:37:05,700
WHO BABY IT WAS TOO.

1729
00:37:05,700 --> 00:37:06,367
SO GUESS WHAT?

1730
00:37:06,367 --> 00:37:08,633
[all talking at once]

1731
00:37:08,633 --> 00:37:09,533
HOW I KNOW WHO BABY IT WAS?

1732
00:37:09,533 --> 00:37:10,333
BOTH OF Y'ALL KNOW

1733
00:37:10,333 --> 00:37:11,167
WHO BABY IT WAS, SO--

1734
00:37:11,167 --> 00:37:12,167
HOW I KNOW WHO BABY IT WAS?

1735
00:37:12,167 --> 00:37:12,867
I DON'T KNOW.

1736
00:37:12,867 --> 00:37:13,800
WAIT A MINUTE NOW. BE REAL.

1737
00:37:13,800 --> 00:37:14,833
YOU KNOW DAMN WELL THAT WAS YOUR

1738
00:37:14,833 --> 00:37:15,700
BABY, AND DON'T ACT LIKE IT

1739
00:37:15,700 --> 00:37:16,367
WEREN'T.

1740
00:37:16,367 --> 00:37:17,233
LET ME ASK THE QUESTION.

1741
00:37:17,233 --> 00:37:18,233
NO, NO, NO, I'M JUST GONNA

1742
00:37:18,233 --> 00:37:19,167
ASK HIM THE QUESTION

1743
00:37:19,167 --> 00:37:20,267
ONCE AND FOR ALL.

1744
00:37:20,267 --> 00:37:20,967
AND YOU BETTER

1745
00:37:20,967 --> 00:37:21,800
TELL THE TRUTH.

1746
00:37:21,800 --> 00:37:23,567
DID YOU BELIEVE

1747
00:37:23,567 --> 00:37:27,700
THAT THAT WAS YOUR BABY?

1748
00:37:27,700 --> 00:37:28,833
YES.

1749
00:37:28,833 --> 00:37:29,500
OKAY.

1750
00:37:29,500 --> 00:37:30,267
THANK YOU.

1751
00:37:30,267 --> 00:37:30,933
END OF STORY.

1752
00:37:30,933 --> 00:37:31,600
BE A MAN.

1753
00:37:31,600 --> 00:37:32,700
ALL RIGHT, WE'RE GONNA MOVE

1754
00:37:32,700 --> 00:37:33,367
ON FROM THIS SUBJECT.

1755
00:37:33,367 --> 00:37:35,067
LET ME ASK YOU ANOTHER QUESTION.

1756
00:37:35,067 --> 00:37:35,933
WHEN YOU GUYS WERE IN THE

1757
00:37:35,933 --> 00:37:37,600
MEETING WHEN JOSELINE WAS

1758
00:37:37,600 --> 00:37:39,400
TELLING MIMI ABOUT THE

1759
00:37:39,400 --> 00:37:40,833
PREGNANCY, WHY THE HELL DID YOU

1760
00:37:40,833 --> 00:37:41,700
STILL HAVE THAT PREGNANCY TEST

1761
00:37:41,700 --> 00:37:42,367
IN YOUR BACK POCKET?

1762
00:37:42,367 --> 00:37:43,367
I WANTED TO ASK THAT.

1763
00:37:43,367 --> 00:37:44,067
OKAY.

1764
00:37:44,067 --> 00:37:44,867
WHY?

1765
00:37:44,867 --> 00:37:46,333
I HAD THE JOINT IN MY POCKET.

1766
00:37:46,333 --> 00:37:47,067
I THOUGHT YOU WENT HOME

1767
00:37:47,067 --> 00:37:47,733
TO GO GET CHANGED.

1768
00:37:47,733 --> 00:37:48,433
STOP LYING.

1769
00:37:48,433 --> 00:37:49,700
YOU'RE JUST NASTY.

1770
00:37:49,700 --> 00:37:50,967
YOU'RE JUST NASTY AND YOU GO ON

1771
00:37:50,967 --> 00:37:52,067
WALKING AROUND WITH PREGNANCY

1772
00:37:52,067 --> 00:37:54,433
TEST LIKE [bleep] [bleep].

1773
00:37:54,433 --> 00:37:55,967
AND THAT'S [bleep] DISGUSTING.

1774
00:37:55,967 --> 00:37:57,400
OKAY.

1775
00:37:57,400 --> 00:37:58,367
MIMI, I DON'T EVEN HAVE TO ASK

1776
00:37:58,367 --> 00:37:59,233
YOU WHAT YOU THOUGHT ABOUT IT,

1777
00:37:59,233 --> 00:38:00,100
'CAUSE I THINK YOU MADE IT

1778
00:38:00,100 --> 00:38:00,767
PRETTY CLEAR.

1779
00:38:00,767 --> 00:38:01,533
SHE THREW UP.

1780
00:38:01,533 --> 00:38:03,433
LET'S GO TO A FAN QUESTION.

1781
00:38:03,433 --> 00:38:05,867
UH, JEANIE H. FROM TWITTER

1782
00:38:05,867 --> 00:38:08,233
ASKED, "STEVIE, DID YOU FORCE

1783
00:38:08,233 --> 00:38:09,433
JOSELINE TO TERMINATE

1784
00:38:09,433 --> 00:38:10,267
THE PREGNANCY?"

1785
00:38:10,267 --> 00:38:12,600
NO, OF COURSE NOT.

1786
00:38:12,600 --> 00:38:14,400
I JUST MADE A SUGGESTION.

1787
00:38:14,400 --> 00:38:15,300
YOU DIDN'T MAKE NO

1788
00:38:15,300 --> 00:38:16,167
SUGGESTION, 'CAUSE IF I WANTED

1789
00:38:16,167 --> 00:38:17,100
TO HAVE YOUR BABY,

1790
00:38:17,100 --> 00:38:17,767
I WOULD HAVE HAD IT.

1791
00:38:17,767 --> 00:38:18,600
BUT YOU KNOW WHAT?

1792
00:38:18,600 --> 00:38:19,733
I WASN'T GONNA HAVE NO BABY WITH

1793
00:38:19,733 --> 00:38:21,333
NO [...] THAT GOTS FIVE KIDS.

1794
00:38:21,333 --> 00:38:22,067
THAT'S WHY

1795
00:38:22,067 --> 00:38:22,700
I DIDN'T HAVE YOUR BABY.

1796
00:38:22,700 --> 00:38:23,467
OH, YEAH?

1797
00:38:23,467 --> 00:38:24,267
BUT YOU ASKED ME TO MARRY YOU.

1798
00:38:24,267 --> 00:38:25,100
THAT'S FIRST.

1799
00:38:25,100 --> 00:38:26,133
THAT'S FOR--OF COURSE I WOULD

1800
00:38:26,133 --> 00:38:27,433
MARRY YOU NOW.

1801
00:38:27,433 --> 00:38:28,433
[...], YOU ABOUT TO MAKE A WHOLE

1802
00:38:28,433 --> 00:38:29,100
BUNCH OF MONEY.

1803
00:38:29,100 --> 00:38:30,100
WHY WOULDN'T I MARRY YOU?

1804
00:38:30,100 --> 00:38:31,567
[laughter]

1805
00:38:31,567 --> 00:38:32,867
IF YOU ASKED ME TO MARRY YOU

1806
00:38:32,867 --> 00:38:34,333
RIGHT NOW, I'M GONNA SAY "HELL,

1807
00:38:34,333 --> 00:38:35,767
YEAH, MIMI, YOU WANT TO JOIN?"

1808
00:38:35,767 --> 00:38:36,833
LET'S GET THIS CHANGED.

1809
00:38:36,833 --> 00:38:38,333
WHAT YOU TALKING ABOUT?

1810
00:38:38,333 --> 00:38:39,067
WELL, LET ME

1811
00:38:39,067 --> 00:38:39,667
ASK YOU THIS, JOSELINE.

1812
00:38:39,667 --> 00:38:41,667
AT THE TIME, IF STEVIE HAD SAID,

1813
00:38:41,667 --> 00:38:43,067
"LET'S BE A FAMILY.

1814
00:38:43,067 --> 00:38:43,967
LET'S HAVE THIS BABY"--

1815
00:38:43,967 --> 00:38:44,633
NO, NO.

1816
00:38:44,633 --> 00:38:45,800
AND I'LL PUT THAT ON MY LIFE.

1817
00:38:45,800 --> 00:38:46,700
GOD COULD STRIKE ME RIGHT NOW.

1818
00:38:46,700 --> 00:38:47,600
HELL, NO.

1819
00:38:47,600 --> 00:38:49,333
NOT BECAUSE HE HAD FIVE KIDS.

1820
00:38:49,333 --> 00:38:50,100
IT WAS MORE BECAUSE I WAS NOT

1821
00:38:50,100 --> 00:38:51,500
READY AND BECAUSE I CHOSE MY

1822
00:38:51,500 --> 00:38:52,367
CAREER MORE THAN I CHOSE

1823
00:38:52,367 --> 00:38:53,067
ANYTHING ELSE.

1824
00:38:53,067 --> 00:38:55,067
[bleep] THAT HO WHO THINKS ABOUT

1825
00:38:55,067 --> 00:38:56,333
ME A DIFFERENT WAY.

1826
00:38:56,333 --> 00:38:57,700
I'M A WOMAN OF GOD.

1827
00:38:57,700 --> 00:38:59,067
I CURSE; I [bleep].

1828
00:38:59,067 --> 00:39:01,567
YES, YES, I AM A WOMAN OF GOD.

1829
00:39:01,567 --> 00:39:02,633
I'M A WOMAN OF GOD, SO [bleep]

1830
00:39:02,633 --> 00:39:04,333
Y'ALL THAT DON'T BELIEVE IT.

1831
00:39:04,333 --> 00:39:05,833
AND GOD KNOWS MY HEART.

1832
00:39:05,833 --> 00:39:06,700
I'M A WOMAN OF GOD.

1833
00:39:06,700 --> 00:39:07,767
JOSELINE, CAN I JUST SAY

1834
00:39:07,767 --> 00:39:08,467
SOMETHING?

1835
00:39:08,467 --> 00:39:09,400
YES, I AM A WOMAN OF GOD.

1836
00:39:09,400 --> 00:39:10,333
YOU CANNOT SAY THE WORD GOD

1837
00:39:10,333 --> 00:39:11,767
AND ALL THE OTHER THINGS--

1838
00:39:11,767 --> 00:39:12,433
YES, I CAN.

1839
00:39:12,433 --> 00:39:13,100
NO, YOU CAN'T.

1840
00:39:13,100 --> 00:39:14,067
YES, I CAN SAY IT.

1841
00:39:14,067 --> 00:39:15,700
"I'M A WOMAN OF GOD."

1842
00:39:15,700 --> 00:39:16,833
[all talking at once]

1843
00:39:16,833 --> 00:39:17,767
LET'S GO TO BREAK.

1844
00:39:17,767 --> 00:39:18,567
WE'LL BE BACK WITH MORE

1845
00:39:18,567 --> 00:39:19,433
LOVE and HIP-HOP: ATLANTA:

1846
00:39:19,433 --> 00:39:21,267
THE REUNION.

1847
00:39:21,267 --> 00:39:22,933
I'M JUST SAYING.

1848
00:39:22,933 --> 00:39:24,200
STEVIE, CAN YOU EVER TRULY

1849
00:39:24,200 --> 00:39:26,200
LET MIMI GO?

1850
00:39:35,100 --> 00:39:37,933
[hip-hop music]

1851
00:39:37,933 --> 00:39:38,600
WE'RE BACK WITH

1852
00:39:38,600 --> 00:39:39,467
LOVE and HIP-HOP: ATLANTA:

1853
00:39:39,467 --> 00:39:40,767
THE REUNION.

1854
00:39:40,767 --> 00:39:42,200
WE'RE TALKING ABOUT THE SEASON'S

1855
00:39:42,200 --> 00:39:44,333
TORTURED LOVE TRIANGLE BETWEEN

1856
00:39:44,333 --> 00:39:46,833
STEVIE, MIMI, AND JOSELINE.

1857
00:39:46,833 --> 00:39:48,667
MIMI, YOU AND STEVIE HAVE BEEN

1858
00:39:48,667 --> 00:39:50,700
BACK AND FORTH SO MANY TIMES.

1859
00:39:50,700 --> 00:39:52,433
DO YOU THINK IT'S REALLY OVER

1860
00:39:52,433 --> 00:39:55,100
THIS TIME?

1861
00:39:55,100 --> 00:39:57,300
STEVIE IS THE FATHER

1862
00:39:57,300 --> 00:39:58,100
OF MY CHILD.

1863
00:39:58,100 --> 00:40:00,067
I WOULD NEVER SIT HERE AND TELL

1864
00:40:00,067 --> 00:40:02,100
YOU NEVER, NO, NOTHING.

1865
00:40:02,100 --> 00:40:03,267
WE'RE NOT TOGETHER RIGHT NOW.

1866
00:40:03,267 --> 00:40:04,600
KEEP IT DOWN.

1867
00:40:04,600 --> 00:40:05,700
THAT'S JUST IT.

1868
00:40:05,700 --> 00:40:06,367
OKAY, THAT'S FAIR.

1869
00:40:06,367 --> 00:40:08,533
AND STEVIE, CAN YOU EVER TRULY

1870
00:40:08,533 --> 00:40:09,533
LET MIMI GO

1871
00:40:09,533 --> 00:40:10,600
AND LET HER MOVE ON

1872
00:40:10,600 --> 00:40:12,333
WITH HER LIFE?

1873
00:40:12,333 --> 00:40:14,033
NO.

1874
00:40:14,033 --> 00:40:15,967
[laughter]

1875
00:40:15,967 --> 00:40:17,000
ALL RIGHT, THEN LET ME ASK

1876
00:40:17,000 --> 00:40:18,033
YOU ANOTHER QUESTION.

1877
00:40:18,033 --> 00:40:19,867
WHAT'S THE STATUS RIGHT NOW

1878
00:40:19,867 --> 00:40:22,100
BETWEEN YOU AND JOSELINE?

1879
00:40:22,100 --> 00:40:24,200
ARE YOU TWO A COUPLE?

1880
00:40:27,500 --> 00:40:28,100
NO, THE STATUS--

1881
00:40:28,100 --> 00:40:29,133
WAIT, WHOA, WHOA, WAIT.

1882
00:40:29,133 --> 00:40:30,100
DON'T EVEN ANSWER THAT QUESTION.

1883
00:40:30,100 --> 00:40:31,233
HOLD THAT THOUGHT.

1884
00:40:31,233 --> 00:40:33,000
THANKS SO MUCH FOR WATCHING PART

1885
00:40:33,000 --> 00:40:34,767
ONE OF LOVE and HIP-HOP: ATLANTA:

1886
00:40:34,767 --> 00:40:35,533
THE REUNION.

1887
00:40:35,533 --> 00:40:36,600
AND IF YOU THOUGHT THIS WAS

1888
00:40:36,600 --> 00:40:38,700
GOOD, JUST WAIT FOR PART TWO.

1889
00:40:38,700 --> 00:40:39,700
STAY TUNED.

1890
00:40:39,700 --> 00:40:41,733
FLEX, TAKE US OUT.

1891
00:40:41,733 --> 00:40:43,733
[hip-hop music and applause]